The Folger Shakespeare Library, V.a.series, 300 through end

MS V.a.306

A quarto volume of biographical extracts, for the most part alphabetically arranged, largely in a single mixed hand, with a few pages of drafts in another cursive hand, 30 leaves (plus stubs of excised leaves), in contemporary vellum boards. c.1670.

f. 11r

RnT 494: Thomas Randolph, On Michaell Drayton (‘Do pious marble let thy readers know’)

Copy.

Unpublished? Generally attributed to Francis Quarles.

f. 12r

JnB 550: Ben Jonson, To William Camden (‘Camden, most reuerend head, to whom I owe’)

Copy of lines 1-6, headed ‘Benjamin Johnson at first bred in a private school in St martins & yn in westminster School, witness his own Epigra’.

First published in Epigrammes (xiiii) in Workes (London, 1616). Herford & Simpson, VIII, 31.

MS V.a.307

A quarto miscellany of verse and prose, in English and Latin, in several secretary and italic hands, with later additions, 99 pages, some entries dated 1583-88, in calf. Late 16th century.

Inscribed (p. 1) ‘Will Parkyns’ and (p. 61) ‘Per Tho Parkins’. Item 32 in an unidentified sale cataloue.

passim

GrR 4: Robert Greene, Menaphon

Extracts.

First published in London, 1589. Grosart, VI, 1-146.

MS V.a.308

A quarto verse miscellany, in several hands, a neat mixed hand predominating up to f. 55r, 151 leaves (including a few blanks), in contemporary calf. c.1730.

Inscribed (in another hand) on the front pastedown ‘Thomas Boydell’. Formerly Folger MS 4108.

f. 1r

DrJ 258: John Dryden, The Conquest of Granada by the Spaniards: In Two Parts, Part II, Act IV, scene iii, lines 35-64. Song, In two Parts (‘How unhappy a Lover am I’)

Copy of the song, in double columns, undated.

California, XI, 166-7. Kinsley, I, 135-6. Hammond, I, 244-5.

f. 3r

ShW 112.8: William Shakespeare, The Winter's Tale, IV, iii, 120-3. Song (‘Jog on, jog on, thy foot-path way’)

Copy of Autolycus's song, undated.

f. 5r

B&F 111.5: Francis Beaumont and John Fletcher, The Nice Valour, II, i, 114-24. Song (‘Thou diety swift-winged love’)

Copy of the song, headed ‘Sonnets 20’.

The play first published in Comedies and Tragedies (London, 1647). Dyce, X, 293-370 (pp. 335-6). Bullen, VII, 438-97, ed. George Walton Williams (p. 451). Thomas Middleton, The Collected Works, general editors Gary Taylor and John Lavagnino (Oxford, 2007), pp. 1683-1713 (p. 1690). The play is now generally attributed to Thomas Middleton.

f. 5v

CmT 170: Thomas Campion, ‘Young and simple though I am’

Copy, untitled.

First published in Alfonso Ferrabosco, Ayres (London, 1609). Campion, The Third and Fourth Booke of Ayres (London [1617]), Book IV, No. ix. Davis, p. 177. Doughtie, p. 295.

f. 5v

JnB 572: Ben Jonson, Cynthia's Revels, IV, iii, 242-53. Song (‘O, That ioy so soone should waste!’)

Copy of the song, undated.

ff. 5v-6r

SuJ 63: John Suckling, Song (‘Why so pale and wan fond Lover?’)

Copy, untitled.

This MS collated in Clayton.

First published in Aglaura (London, 1638), Act IV, scene ii, lines 14-28. Fragmenta Aurea (London, 1646). Beaurline, Plays, p. 72. Clayton, p. 64.

f. 7r

B&F 7: Francis Beaumont and John Fletcher, Beggars' Bush, II, i, 143-64. Song (‘Cast our Caps and cares away!’)

Copy, in double columns, untitled.

This MS collated in Bowers, p. 352.

Bowers, III, 264-5. This setting first published in John Wilson, Cheerfull Ayres (Oxford, 1659).

f. 8r-v

BrN 72: Nicholas Breton, Phillida and Coridon (‘In the merry moneth of May’)

Copy, untitled.

First published as ‘The Plowmans Song’ in The Honorable Entertainment at Elvetham (London, 1591). Englands Helicon (London, 1600), <No. 12>, ascribed to ‘N. Breton’; Grosart, I (t), p. 7. English Songs 1625-1660, ed. Ian Spink, Musica Britannica XXXIII (London, 1971), No. 29. A musical setting first published in Michael East, Madrigals to Three, Four, and Five Parts (London, 1604).

f. 9r

MsP 24: Philip Massinger, The Fatal Dowry, IV, ii 71-86. Song (‘Poore Citizen, if thou wilt be’)

Copy, untitled.

Edwards & Gibson, I, 72.

f. 9v

SuJ 117: John Suckling, Inconstancie in Woman (‘I am confirm'd a woman can’)

Copy, in double columns, untitled.

This MS collated in Clayton.

First published in The Academy of Complements (London, 1646). Clayton, pp. 96-7.

Henry Lawes's musical setting published in Select Musicall Ayres and Dialogues (London, 1652).

f. 11r-v

GrJ 5: John Grange, ‘A Lover once I did espy’

Copy, untitled.

This MS recorded in Krueger.

First published, in a musical setting, in Playford, Select Musicall Ayres and Dialogues (1652), I, 12. Poems (1660), pp. 86-7, beginning ‘A Restless Lover I espy'd’, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’, and in Krueger's Appendix II list of poems by John Grange.

f. 14r

BeA 20.3: Aphra Behn, The Sence of a Letter sent me, made into Verse. To a New Tune (‘In vain I have labour'd the victor to prove’)

Copy.

First published in The Amorous Prince (London, 1671). Todd, p. 58, No. 22.

f. 15v

EtG 82: Sir George Etherege, Sylvia (‘The nymph that undoes me is fair and unkind’)

Copy, untitled.

This MS collated in Thorpe.

First published in A Collection of Poems, Written upon several Occasions (London, 1672). Thorpe, p. 26.

f. 22r

WiG 26.8: George Wither, Sonnet (‘Hence away you sirens’)

Copy.

First published in Fidelia (London, 1619).

ff. 24v-5r

WiG 6: George Wither, The Author's Resolution in a Sonnet (‘Shall I wasting in despair’)

Copy, in double columns, untitled.

First published in Fidelia (London, 1615). Sidgwick, I, 138-9. A version, as ‘Sonnet 4’, in Faire-Virtue, the Mistresse of Phil'Arete, generally bound with Juvenilia (London, 1622). Spenser Society No. 11 (1871), pp. 854-5. Sidgwick, II, 124-6.

For the ‘answer’ attributed to Ben Jonson, but perhaps by Richard Johnson, see Sidgwick, I, 145-8, and Ben Jonson, ed. C.H. Herford and Percy & Evelyn Simpson, VIII (Oxford, 1947), 439-43. MS versions of Wither's poem vary in length.

f. 27r

DaJ 199.5: Sir John Davies, On the Deputy of Ireland his child (‘As carefull mothers doe to sleeping lay’)

Copy, headed ‘On a Child’ and here beginning ‘As careful Nurses on their beds doe lay’.

First published in William Camden, Remaines (London, 1637), p. 411. Krueger, p. 303.

f. 33v

StW 810.5: William Strode, Song (‘I saw faire Cloris walke alone’)

Copy, untitled.

First published in Walter Porter, Madrigales and Ayres (London, 1632). Dobell, p. 41. Forey, pp. 76-7. The poem also discussed in C.F. Main, ‘Notes on some Poems attributed to William Strode’, PQ, 34 (1955), 444-8 (pp. 445-6), and see Mary Hobbs, ‘Early Seventeenth-Century Verse Miscellanies and Their Value for Textual Editors’, EMS, 1 (1989), 182-210 (pp. 199, 209).

f. 33v

CwT 227: Thomas Carew, An Excuse of absence (‘You'le aske perhaps wherefore I stay’)

Copy, headed ‘Excuse for absence’.

First published in Hazlitt (1870), p. 28. Dunlap. p. 131.

ff. 33v-4r

BmF 142: Francis Beaumont, True Beauty (‘May I find a woman fair’)

Copy, untitled.

First published in Poems (London, 1640). Dyce, XI, 491.

ff. 34v-5r

RaW 430: Sir Walter Ralegh, ‘Like to a Ring without a finger’

Copy, in double columns, untitled.

First published in Latham (1951), pp. 165-7, as ‘A poem doubtfully ascribed to Ralegh’. Since, in fact, it is a parody of a poem by Francis Quarles printed in 1629 it cannot be by Ralegh.

f. 35r

CoA 52.5: Abraham Cowley, The Concealment (‘No. to what purpose should I speak?’)

Copy, headed ‘Silence’.

First published in The Mistresse (London, 1647). Waller, I, 119-20. Sparrow, pp. 118-19. Collected Works, II, No. 52, pp. 83-4.

Musical setting by Henry Purcell published in Works of Henry Purcell, XXV (London, 1928), pp. 124-7.

ff. 38v, 47v-8r

CoA 286: Abraham Cowley, Extracts

Extract(s) from work(s) by Cowley.

f. 37r-v

HeR 240: Robert Herrick, To the Virgins, to make much of Time (‘Gather ye Rose-budd while ye may’)

Copy, untitled.

First published in The Academy of Complements (London, 1646). Hesperides (London, 1648). Martin, p. 84. Patrick, pp. 117-18. Musical setting by William Lawes published in John Playford, Select Musicall Ayres, and Dialogues (London, 1652).

f. 40r

CoR 746.5: Richard Corbett, Nonsence (‘Like to the thund'ring tone of unspoke speeches’)

Copy, headed ‘A Messe of Nonsence’ and here beginning “Like to ye graceful tone of inspoke speeches”.

First published in Witts' Recreations Augmented (London, 1641). Bennett & Trevor-Roper, pp. 95-6.

ff. 41v-2v

WoH 243: Sir Henry Wotton, A Farewell to the Vanities of the World (‘Farewell, ye gilded follies, pleasing troubles!’)

Copy, headed ‘A ffarewell to folly’.

First published, as ‘a farewell to the vanities of the world, and some say written by Dr. D[onne], but let them bee writ by whom they will’, in Izaak Walton, The Complete Angler (London, 1653), pp. 243-5. Hannah (1845), pp. 109-13. The Poems of John Donne, ed. Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 465-7.

f. 47v

CoA 113.8: Abraham Cowley, Ode VI. Vpon the shortness of Man's Life (‘Marke that swift Arrow how it cuts the ayre’)

Copy, headed ‘Sonnets, 130. on man's life’.

First published in Sylva (London, 1636). Grosart, I, 31.

f. 48v

RoJ 181: John Wilmot, Second Earl of Rochester, Love and Life (‘All my past life is mine no more’)

Copy, in double columns, untitled.

This MS recorded in Vieth, Attribution.

First published in Songs for i 2 & 3 Voyces Composed by Henry Bowman [London, 1677]. Poems on Several Occasions (‘Antwerp’, 1680). Vieth, p. 90. Walker, p. 44. Love, pp. 25-6.

f. 88r

BrW 4.3: William Browne of Tavistock, ‘Behold, O God, in rivers of my tears’

Copy, set out calligraphically in patterned formation, headed ‘On the glorious Passion & Resurrection of our Lord, & Saviour Jesus Christ’ and beginning ‘Behold O Lord IN RIvers of my Tears’.

Discussed, with a facsimile, in Gillian Wright, ‘A Pattern Poem by William Browne of Tavistock: “Behold O God in Rivers of my Tears”’, EMS, 7 (1998), 264-74.

First published in Brydges (1815), pp. 4-5.

f. 106v

CwT 913: Thomas Carew, Song. Perswasions to enjoy (‘If the quick spirits in your eye’)

Copy, untitled.

First published in Poems (1640). Dunlap, p. 16. Musical setting by Henry Lawes published in Select Musicall Ayres, and Dialogues (London, 1652).

f. 108v

RoJ 120: John Wilmot, Second Earl of Rochester, Impromptu on Charles II (‘God bless our good and gracious King’)

Copy of a version headed ‘E. of Rochester's Character of K. Ch. 2nd’ and beginning ‘Here lives a great & mighty King’.

This MS recorded in Vieth.

First published, in a version headed ‘Posted on White-Hall-Gate’ and beginning ‘Here lives a Great and Mighty Monarch’, in The Miscellaneous Works of the Right Honourable the Late Earls of Rochester and Roscommon (London, 1707). Vieth, p. 134. Walker, p. 122, as ‘[On King Charles]’.

f. 126v

HoJ 14: John Hoskyns, ‘A zealous Lock-Smith dy'd of late’

Copy, in shorthand, headed ‘On a zealous Lock=Smith’.

Whitlock, p. 108.

f. 127v

BrW 134: William Browne of Tavistock, On Mrs. Anne Prideaux, Daughter of Mr. Doctor Prideaux, Regius Professor (‘Nature in this small volume was about’)

Copy, headed ‘On a young gentlewoman’.

First published in William Camden, Remaines (London, 1636). Wits Recreations (London, 1640). Facetiæ (London, 1655). Osborn, No. XLIV (p. 213), ascribed to John Hoskyns.

f. 128v

BrW 169: William Browne of Tavistock, On One Drowned in the Snow (‘Within a fleece of silent waters drown'd’)

Copy, headed ‘On a man drown'd in ye snow’.

First published in Wits Recreations (London, 1640). Brydges (1815), p. 76. Goodwin, II, 290.

[unspecified page numbers]

RoJ 290.5: John Wilmot, Second Earl of Rochester, A Satyr against Reason and Mankind (‘Were I (who to my cost already am)’)

Extracts.

First published (lines 1-173) as a broadside, A Satyr against Mankind [London, 1679]. Complete, with supplementary lines 174-221 (beginning ‘All this with indignation have I hurled’) in Poems on Several Occasions (‘Antwerp’, 1680). Vieth, pp. 94-101. Walker, pp. 91-7, as ‘Satyr’. Love, pp. 57-63.

The text also briefly discussed in Kristoffer F. Paulson, ‘A Question of Copy-Text: Rochester's “A Satyr against Reason and Mankind”’, N&Q, 217 (May 1972), 177-8. Some texts followed by one or other of three different ‘Answer’ poems (two sometimes ascribed to Edward Pococke or Mr Griffith and Thomas Lessey: see Vieth, Attribution, pp. 178-9).

MS V.a.315

Copy, in the italic hand of an amanuensis, with deletions and corrections, with a title-page ‘Philosophsister [sic] Comædia noua scripta Ao domini 1606...Auctore Roberto Burton...Ædis Christi Oxon alumno 1617...’, 85 quarto pages, subscribed on f. 83r (before the Epilogus) ‘Finis...Feb: 16to. 16i7’, in contemporary calf (rebacked). Presented by Burton to his brother, William, in 1618. 1617.

BuR 3: Robert Burton, Philosophaster

Inscribed (p. 1) ‘Liber Wmi: Burton Lindliaci Leicestresis de Falde com: Staff: 1618: ex dono fratris mei Robte Burton Authoris’. Inscribed (f. [ir]) ‘fishers Alley New Street, 2 house in the Al: Mr Burrage’. Afterwards Mostyn MS 197, from the Gloddaeth Library originally founded by Sir Thomas Mostyn (1535-1617) at Mostyn Hall, near Holywell, Flintshire, Wales, and maintained by Sir Roger Mostyn (1567-1642) and his son Sir Roger Mostyn, first Baronet (1625?-90).

Recorded in HMC, 4th Report (1874), Appendix, p. 356. Discussed, with a facsimile example of f. 9r, in McQuillen's edition, p. 223, and in her ‘Robert Burton's Philosophaster. Holograph Status of the Manuscripts’, Manuscripta, 29 (1985), 148-53, where it is suggested that the ‘corrections and additions’ are probably in Burton's own hand. A microfilm of the MS is at the Shakespeare Institute, Stratford-on-Avon (Mic S6).

Probably written 1606; revised 1615; performed 16 February 1617/18 at Christ Church, Oxford. First published, edited by W.E. Buckley, Roxburghe Club (Hertford, 1862). Edited by Paul Jordan-Smith (Stanford, 1931). Edited and translated by Connie McQuillen (Binghamton, New York, 1993).

MS V.a.319

An octavo verse miscellany, in several hands, written from both ends, 77 leaves (including blanks), in old calf gilt. c.1640.

Formerly MS 2073.3.

f. 2r

RaW 265: Sir Walter Ralegh, On the Life of Man (‘What is our life? a play of passion’)

Copy, headed ‘Sr Walter Raughly on mans life’.

Edited from this MS in Rudick, No. 29B, p. 70. Recorded in Latham, p. 144.

First published, in a musical setting, in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Latham, pp. 51-2. Rudick, Nos 29A, 29B and 29C (three versions, pp. 69-70). MS texts also discussed in Michael Rudick, ‘The Text of Ralegh's Lyric “What is our life?”’, SP, 83 (1986), 76-87.

f. 3r

DkT 23: Thomas Dekker, Vpon her bringing by water to White Hall (‘The Queene was brought by water to White Hall’)

Copy, headed ‘On Queene Elizabeth carried to buriall by water’.

First published in The Wonderfull yeare (London, 1603). Reprinted in William Camden, Remaines (London, 1614), and in Thomas Heywood, The Life and Death of Queene Elizabeth (London, 1639). Grosart, I, 93-4. Tentatively (but probably wrongly) attributed to Camden in George Burke Johnston, ‘Poems by William Camden’, SP, 72 (December 1975), 112.

f. 5r-v

CoR 181: Richard Corbett, An Elegie written upon the death of Dr. Ravis Bishop of London (‘When I past Paules, and travell'd in that walke’)

Copy, headed ‘On Dor. Rauis Bishop of London’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 3-4.

ff. 7r-9r

BmF 42: Francis Beaumont, An Elegy on the Death of the Virtuous Lady, Elizabeth Countess of Rutland (‘I may forget to eat, to drink, to sleep’)

Copy, headed ‘On ye death of ye Lady of Rutland by Beaumont’.

First published in Sir Thomas Overbury, A Wife, 11th impression (London, 1622). Dyce, XI, 507-11.

f. 9v

HrJ 148: Sir John Harington, Of a Lady that left open her Cabbinett (‘A vertuose Lady sitting in a muse’)

Copy, headed ‘On a musing Lady’.

First published in ‘Epigrammes’ appended to J[ohn] C[lapham], Alcilia, Philoparthens Louing Folly (London, 1613). McClure No. 404, p. 312. Kilroy, Book IV, No. 57, p. 231.

f. 10r

BrW 212: William Browne of Tavistock, On the Countess Dowager of Pembroke (‘Underneath this sable herse’)

Copy, headed ‘On ye Countesse of Pembrocke’.

First published in William Camden, Remaines (London, 1623), p. 340. Brydges (1815), p. 5. Goodwin, II, 294. Browne's authorship supported in C.F. Main, ‘Two Items in the Jonson Apocrypha’, N&Q, 199 (June 1954), 243-5.

f. 13v

RaW 350: Sir Walter Ralegh, ‘The word of deniall, and the letter of fifty’

Copy, headed ‘Rawley upon Noell’.

This MS recorded in Latham, pp. 138.

First published, as ‘The Answer’ to ‘A Riddle’ (‘Th'offence of the stomach, with the word of disgrace’), in Works (1829), VIII, 736. Latham, pp. 47-8. Rudick, Nos 19A, 19B and 19C (three versions, pp. 28-9).

f. 14r

StW 401: William Strode, On a Gentlewoman that sung, and playd upon a Lute (‘Bee silent, you still Musicke of the sphears’)

Copy, headed in a different hand ‘upon a lady that sang lately’, subscribed ‘Wm Strowde’.

First published in Wits Interpreter (London, 1655), Part II, p. 278. Dobell, p. 39. Forey, p. 208.

ff. 15r-16r

PoW 44: Walton Poole, ‘If shadows be a picture's excellence’

Copy, headed ‘In ye comendation of Black Gentlewoeman’, annotated in another hand ‘Mrs Beata Poole’.

This MS collated in Wolf (as MS T).

First published, as ‘In praise of black Women; by T.R.’, in Robert Chamberlain, The Harmony of the Muses (London, 1654), p. 15 [unique exemplum in Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990)]; in Abraham Wright, Parnassus Biceps (London, 1656), pp. 75-7, as ‘On a black Gentlewoman’. Poems (1660), pp. 61-2, as ‘On black Hair and Eyes’ and superscribed ‘R’; in The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 460-1, as ‘on Black Hayre and Eyes’, among ‘Poems attributed to Donne in MSS’; and in The Poems of William Herbert, Third Earl of Pembroke, ed. Robert Krueger (B.Litt. thesis, Oxford, 1961: Bodleian, MS B. Litt. d. 871), p. 61.

f. 17r

PeW 188: William Herbert, third Earl of Pembroke, Of a fair Gentlewoman scarce Marriageable (‘Why should Passion lead thee blind’)

Copy, headed ‘Vpon a wench vnder 14’, here beginning ‘Why should passion make thee blind’.

This MS recorded in Krueger.

First published in [John Gough], Academy of Complements (London, 1646), p. 202. Poems (1660), p. 76, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by Walton Poole.

f. 17v

StW 1325: William Strode, A Lover to his Mistress (‘Ile tell you how the Rose did first grow redde’)

Copy, headed ‘One to his Mistresse’.

First published, in Wits Recreations (London, 1640). Dobell, p. 48. Listed, without text, in Forey, p. 339.

f. 17v

CoR 384: Richard Corbett, Little Lute (‘Little lute, when I am gone’)

Copy, headed ‘One finding a Lute instead of his mistresse’.

First published in Bennett & Trevor-Roper (1955), p. 8.

Some texts followed by an answer beginning ‘Little booke, when I am gone’.

f. 18r

PeW 148: William Herbert, third Earl of Pembroke, Apollo's Oath (‘When Phebus first did Daphne love’)

Copy.

This MS recorded in Krueger.

First published, in a two-stanza version in a musical setting, in John Dowland, Third Booke of Aires (London, 1603), No. vi. A three-stanza version in John Philips, Sportive Wit (London, 1656), p. 31. A four-stanza version in Poems (1660), p. 115, unattributed. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as probably by Charles Rives (of New College, Oxford). It is possible, however, that the poem grew by accretions in different hands, Rives perhaps being responsible for the fourth stanza.

ff. 18v-19r

CwT 784: Thomas Carew, A Song (‘In her faire cheekes two pits doe lye’)

Copy, headed ‘A song on his Mistresse’ and here beginning ‘In your faire cheeks two pitts doe lie’.

First published in Poems (1640). Dunlap, p. 105.

f. 20r

HoJ 245: John Hoskyns, To his Son Benedict Hoskins (‘Sweet Benedict whilst thou art younge’)

Copy, headed ‘Mr Hoskins to his sonne’ and here beginning ‘My little sonne whilst thou art yong’.

Osborn, No. XXXI (p. 203).

f. 21r

HrJ 310: Sir John Harington, A Tragicall Epigram (‘When doome of Peeres & Iudges fore-appointed’)

Copy, headed ‘An elegie on ye queene of Scots’ and here beginning ‘When doome of death by iudgment foreappointed’.

First published in 1615. 1618, Book IV, No. 82. McClure No. 336, pp. 280-1. Kilroy, Book III, No. 44, p. 185. This epigram is also quoted in the Tract on the Succession to the Crown (see HrJ 333-5).

f. 21v

CoR 543: Richard Corbett, On the Lady Arabella (‘How doe I thanke thee, Death, & blesse thy power’)

Copy.

First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, p. 18.

ff. 22v-3r

CoR 123: Richard Corbett, An Elegie vpon the Death of Sir Thomas Ouerbury Knight poysoned in the Tower (‘Hadst thou, like other Sirs and Knights of worth’)

Copy, headed ‘On Sr Thomas Ouerbury’.

First published in Sir Thomas Overbury, A Wife, 9th impression (London, 1616). Bennett & Trevor-Roper, pp. 18-19.

ff. 23v-4r

KiH 203: Henry King, An Elegy Upon S.W.R. (‘I will not weep. For 'twere as great a Sinne’)

Copy, headed ‘On Sr Walter Rawly’.

First published in Poems (1657). Crum, p. 66.

ff. 24v-5r

DnJ 3212: John Donne, To his Mistris Going to Bed (‘Come, Madam, come, all rest my powers defie’)

Copy, untitled, inscribed as a heading ‘Dor Donne’.

This MS recorded in Shawcross.

First published in Poems (London, 1669). Grierson, I, 119-21 (as ‘Elegie XIX. Going to Bed’). Gardner, Elegies, pp. 14-16. Shawcross, No. 15. Variorum, 2 (2000), pp. 163-4.

The various texts of this poem discussed in Randall McLeod, ‘Obliterature: Reading a Censored Text of Donne's “To his mistress going to bed”’, EMS, 12: Scribes and Transmission in English Manuscripts 1400-1700 (2005), 83-138.

f. 25v

DaJ 200: Sir John Davies, On the Deputy of Ireland his child (‘As carefull mothers doe to sleeping lay’)

Copy, headed ‘An Epitaph’ and here beginning ‘As carefull Nurses downe to sleepe do lay’.

First published in William Camden, Remaines (London, 1637), p. 411. Krueger, p. 303.

f. 27r-v

HrE 69: Edward, Lord Herbert of Cherbury, To Mrs. Diana Cecyll (‘Diana Cecyll, that rare beauty thou dost show’)

Copy, untitled, subscribed ‘By Sr. Ed: Harbert’.

First published in Occasional Verses (1665). Moore Smith, pp. 34-5.

f. 28r

CwT 1259.7: Thomas Carew, A Louers passion (‘Is shee not wondrous fayre? but oh I see’)

Copy, headed ‘a louers passion on a fayre Mayde’.

First published, as ‘The Rapture, by J.D.’, in Robert Chamberlain, The Harmony of the Muses (London, 1654), pp. 3-4 [unique exemplum in the Huntington edited in facsimile by Ernest W. Sullivan (Aldershot, 1990)]. Cupids Master-Piece (London, [?1656]). Dunlap, p. 192.

f. 28v

BmF 150.6: Francis Beaumont, ‘Eyes look off there's no beholding’

Copy.

Unpublished?

f. 31r

RaW 423: Sir Walter Ralegh, ‘I cannot bend the bow’

Copy, headed ‘A ridle proposed by Sr Walter Rawley to ye Lady Bendbow’.

Edited from this MS in Rudick, No. 37, p. 105. Recorded in Latham.

First published in Rudick (1999), No. 37, p. 105. Listed but not printed, in Latham, pp. 173-4 (as an ‘indecorous trifle’).

f. 31v

DnJ 2969: John Donne, Song (‘Stay, O sweet, and do not rise’)

Copy.

This MS collated in Doughtie, pp. 610-11. See also DnJ 462.

First published (in a two-stanza version) in John Dowland, A Pilgrim's Solace (London, 1612) and in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Printed as the first stanza of Breake of day in Poems (London, 1669). Grierson, I, 432 (attributing it to Dowland). Gardner, Elegies, p. 108 (in her ‘Dubia’). Doughtie, Lyrics from English Airs, pp. 402-3. Not in Shawcross.

See also DnJ 428.

f. 31v

DnJ 462: John Donne, Breake of day (‘'Tis true, 'tis day. what though it be?’)

Copy, untitled and immediately following on from ‘Stay, O sweet, and do not rise’ (DnJ 2969).

First published in William Corkine, Second Book of Ayres (London, 1612), sig. B1v. Grierson, I, 23. Gardner, Elegies, pp. 35-6. Shawcross, No. 46.

f. 32r

WoH 106: Sir Henry Wotton, On his Mistress, the Queen of Bohemia (‘You meaner beauties of the night’)

Copy, headed ‘Song’, subscribed ‘By Sr: Hen: Wotton’.

First published (in a musical setting) in Michael East, Sixt Set of Bookes (London, 1624). Reliquiae Wottonianae (London, 1651), p. 518. Hannah (1845), pp. 12-15. Some texts of this poem discussed in J.B. Leishman, ‘“You Meaner Beauties of the Night” A Study in Transmission and Transmogrification’, The Library, 4th Ser. 26 (1945-6), 99-121. Some musical versions edited in English Songs 1625-1660, ed. Ian Spink, Musica Britannica XXXIII (London, 1971), Nos. 66, 122.

ff. 32v-3r

CwT 87: Thomas Carew, The Comparison (‘Dearest thy tresses are not threads of gold’)

Copy, headed ‘To his Mistresse’.

First published in Poems (1640), and lines 1-10 also in Wits Recreations (London, 1640). Dunlap, pp. 98-9.

f. 33v

CwT 581: Thomas Carew, A prayer to the Wind (‘Goe thou gentle whispering wind’)

Copy, headed ‘Vpon a sigh’ and here beginning ‘Goe thou gentle whistlinge winde’.

First published in Poems (1640) and in Poems: written by Wil. Shake-speare, Gent. (London, 1640). Dunlap, pp. 11-12.

f. 34r-v

WoH 244: Sir Henry Wotton, A Farewell to the Vanities of the World (‘Farewell, ye gilded follies, pleasing troubles!’)

Copy, untitled, inscribed as a heading ‘Dr. Dunn’.

First published, as ‘a farewell to the vanities of the world, and some say written by Dr. D[onne], but let them bee writ by whom they will’, in Izaak Walton, The Complete Angler (London, 1653), pp. 243-5. Hannah (1845), pp. 109-13. The Poems of John Donne, ed. Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 465-7.

f. 35r

B&F 141: Francis Beaumont and John Fletcher, The Nice Valour, III, iii, 36-4. Song (‘Hence, all you vain delights’)

Copy, stanzas 2 and 3 placed first, headed ‘Melancholy’ and here beginning ‘Wellcome folded armes, & fixed eyes’, then stanza 1, also headed ‘Melancholy’.

This MS recorded in Cutts, Musique de la troupe de Shakespeare, p. 186.

Bowers, VII, 468-9. This song first published in A Description of the King and Queene of Fayries (London, 1634). Thomas Middleton, The Collected Works, general editors Gary Taylor and John Lavagnino (Oxford, 2007), pp. 1698-9.

For William Strode's answer to this song (which has sometimes led to both songs being attributed to Strode) see StW 641-663.

ff. 35v-6r

MoG 69: George Morley, On the Nightingale (‘My limbs were weary and my head oppressed’)

Copy.

f. 38r

StW 811: William Strode, Song (‘I saw faire Cloris walke alone’)

Copy, headed ‘on a Gentlewoeman walkinge in the snowe’.

First published in Walter Porter, Madrigales and Ayres (London, 1632). Dobell, p. 41. Forey, pp. 76-7. The poem also discussed in C.F. Main, ‘Notes on some Poems attributed to William Strode’, PQ, 34 (1955), 444-8 (pp. 445-6), and see Mary Hobbs, ‘Early Seventeenth-Century Verse Miscellanies and Their Value for Textual Editors’, EMS, 1 (1989), 182-210 (pp. 199, 209).

ff. 39v-42v

CwT 653: Thomas Carew, A Rapture (‘I will enjoy thee now my Celia, come’)

Copy, inscribed in the margin in another hand ‘by Carew’.

First published in Poems (1640). Dunlap, pp. 49-53.

f. 42v

RaW 469: Sir Walter Ralegh, ‘Say not you love, unless you do’

Copy, headed ‘A conference between two Louers’.

First published in Inedited Poetical Miscellanies, 1584-1700, ed. W.C. Hazlitt ([London], 1870), p. [179]. Listed but not printed in Latham, p. 174. Rudick, No. 38, p. 106.

f. 43r

CwT 287: Thomas Carew, A flye that flew into my Mistris her eye (‘When this Flye liv'd, she us'd to play’)

Copy, headed ‘An Elegie vpon a flye. Tho. Carie’.

First published in Poems (1640). Dunlap, pp. 37-9. Musical setting by Henry Lawes published in The Treasury of Musick, Book 2 (London, 1669).

ff. 44v-5v

DnJ 90: John Donne, The Anagram (‘Marry, and love thy Flavia, for, shee’)

Copy, headed ‘Upon an illfauored Gentlewoman by D. C.’

This MS recorded in Gardner and in Shawcross.

First published as ‘Elegie II’ in Poems (1633). Grierson, I, 80-2 (as ‘Elegie II’). Gardner, Elegies, pp. 21-2. Shawcross, No. 17. Variorum, 2 (2000), pp. 217-18.

ff. 46r-7r

CoR 677: Richard Corbett, Upon An Unhandsome Gentlewoman, who made Love unto him (‘Have I renounc't my faith, or basely sold’)

Copy, headed ‘Doctor Corbett to Madam Mallett’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 6-7.

ff. 47v-8r

KiH 126: Henry King, The Defence (‘Why slightest thou what I approve?’)

Copy, untitled.

First published in The Academy of Complements (London, 1646). Poems (1657). Crum, pp. 145-6.

f. 50r-v

PeW 244: William Herbert, third Earl of Pembroke, A Paradox in praise of a painted Woman (‘Not kiss? by Love I must, and make impression’)

Copy of the shortened version, headed ‘A Maydes deniall’ and here beginning ‘Nay pish, nay peu, nay faith, & will you fie’.

Poems (1660), pp. 93-5, superscribed ‘P.’. First published in Parnassus Biceps (London, 1656), p. 97. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by William Baker. The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 456-9, as ‘A Paradox of a Painted Face’, among ‘Poems attributed to Donne in MSS’. Also ascribed to James Shirley.

A shorter version, beginning ‘Nay pish, nay pew, nay faith, and will you, fie’, was first published, as ‘A Maids Denyall’, in Richard Chamberlain, The Harmony of the Muses (London, 1654) [apparently unique exemplum in the Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990), pp. 49-50].

f. 51r

HrJ 68: Sir John Harington, A good answere of a Gentlewoman to a Lawyer (‘A vertuous Dame, that saw a Lawyer rome’)

Copy, headed ‘a lady to a Lawyer’.

First published in 1618, Book III, No. 39. McClure No. 240, pp. 248-9. Kilroy, Book IV, No. 90, p. 224.

ff. 52v-3r

StW 51: William Strode, The commendation of gray Eies (‘Looke how the russet Morne exceedes the Night’)

Copy, headed ‘Of Grey eyes’.

First published in Dobell (1907), pp. 35-6. Forey pp. 40-1.

f. 58r

DaW 22: Sir William Davenant, For the Lady, Olivia Porter. A present, upon a New-yeares day (‘Goe! hunt the whiter Ermine! and present’)

Copy, headed ‘A new yeares guift to Mrs. Porter from Wm. Dauenant’, subscribed ‘W. D.’

First published in Madagascar (London, 1638). Gibbs, p. 43.

f. 60r

ToA 84: Aurelian Townshend, Mr. Townsends Verses to Ben Johnsons, in Answer to an Abusive Copie, Crying Down his Magnetick Lady (‘It cannon move thy friend (firm Ben) that he’)

Copy, headed ‘To Ben Jonson, in answer to the railing verses written by Alex Gill (upon the Magnetic Lady)’.

First published in Wit and Drollery (London, 1656), p. 18. Chambers, p. 49. Almost certainly written by Zouch Townley.

f. 73r rev.

B&F 182: Francis Beaumont and John Fletcher, Valentinian, V, ii, 13-22. Song (‘Care-charming Sleep, thou easer of all woes’)

Copy, headed ‘songe sung to Prince Henry at his departinge’.

Dyce, V, 297. Bullen, IV, 302. Bowers, IV, 360-1.

f. 75r rev.

KiH 74: Henry King, The Boy's answere to the Blackmore (‘Black Mayd, complayne not that I fly’)

Copy, headed ‘His answere’.

First published in The Academy of Complements (London, 1646). Poems (1657). Crum, p. 151. The text almost invariably preceded, in both printed and MS versions, by (variously headed) ‘A Blackmore Mayd wooing a faire Boy: sent to the Author by Mr. Hen. Rainolds’ (‘Stay, lovely Boy, why fly'st thou mee’). Musical settings by John Wilson in Henry Lawes, Select Ayres and Dialogues (London, 1669).

f. 75v rev.

CwT 755: Thomas Carew, A Song (‘Aske me no more whether doth stray’)

Copy.

First published in a five-stanza version beginning ‘Aske me no more where Iove bestowes’ in Poems (1640) and in Poems: by Wil. Shake-speare, Gent. (London, 1640), and edited in this version in Dunlap, pp. 102-3. Musical setting by John Wilson published in Cheerful Ayres or Ballads (Oxford, 1659). All MS versions recorded in CELM, except where otherwise stated, begin with the second stanza of the published version (viz. ‘Aske me no more whether doth stray’).

For a plausible argument that this poem was actually written by William Strode, see Margaret Forey, ‘Manuscript Evidence and the Author of “Aske me no more”: William Strode, not Thomas Carew’, EMS, 12 (2005), 180-200. See also Scott Nixon, ‘“Aske me no more” and the Manuscript Verse Miscellany’, ELR, 29/1 (Winter 1999), 97-130, which edits and discusses MSS of this poem and also suggests that it may have been written by Strode.

f. 76r rev.

CwT 900: Thomas Carew, Song. Murdring beautie (‘Ile gaze no more on her bewitching face’)

Copy, headed ‘Songe’.

First published in Poems (1640) and in Wits Recreations (London, 1640). Dunlap, p. 8.

f. 77r rev.

StW 901: William Strode, A song (‘Thoughts doe not vexe me while I sleepe’)

Copy.

First published in The Academy of Complements (London, 1650). Forey, p. 209.

f. 77v rev.

RnT 8.5: Thomas Randolph, Ad Amicam (‘Sweet, doe not thy beauty wrong’)

Copy, headed ‘Songe’, here beginnining ‘Deare doe not your fayre beauty wronge’, inscribed in another hand ‘T. May’.

First published, in a version beginning ‘Deare, doe not your fair beauty wrong’, in Thomas May, The Old Couple (London, 1658), p. 25. Attributed to Randolph in Parry (1917), p. 224. Thorn-Drury, p. 168.

MS V.a.321

A quarto volume of transcripts of letters by various people, in several secretary and italic hands, 95 leaves (plus a few blanks), in modern calf gilt. c.1620s.

Evidently the MS from which selected items are transcribed in Cardiff Central Library MS 1.172, pp. 1-162, which is inscribed (p. 162) ‘Hitherto from the beginning of the Book, from a Manuscript in 4to: belonging to John Arden of Stockport Esqr:’i.e. probably John Arden (1742-1823), of Harden, Utkinton and Pepper Halls, High Sheriff of Cheshire. Acquired in 1942.

This volume discussed and various letters printed in Bertram Dobell, ‘Newly Discovered Documents of the Elizabethan and Jacobean Periods’, The Athenaeum (1901: 23 March, pp. 369-70; 30 March, pp. 403-4; 6 April, pp. 433-4; 13 April, pp. 465-7). A complete transcription and facsimile of the volume in A Seventeenth-Century Letter-Book: A Facsimile Edition of Folger MS. V.a.321, ed. A.R. Braunmuller (Newark, London & Toronto, 1983).

f. 8r-v

BcF 617: Francis Bacon, Letter(s)

Copy of Bacon's letter to Lord Henry Howard, 3 December 1599.

f. 16r

TiC 50: Chidiock Tichborne, A letter written by Chidiock Tichborne to his wife, the night before he suffered

Copy.

Edited from this MS in Hirsch.

Hirsch, pp. 311-12.

f. 36r

ElQ 252: Queen Elizabeth I, Queen Elizabeth's Latin Rebuke to the Polish Ambassador, Paul de Jaline, July 25, 1597

Copy of an English translation.

Edited from this MS in Autograph Compositions.

Beginning ‘Oh quam decepta fui: Expectaui Legationem tu vero querelam, mihi adduxisti...’, in Autograph Compositions, pp. 168-9. An English version, beginning ‘O how I have been deceived! I expected an embassage, but you have brought to me a complaint...’, in Collected Works, Speech 22, pp. 332-4.

ff. 26v-7r, 30v-1r, 49r, 60r-2r, 83v-4r, 88r-v, 89v, 93r-5r

ChG 29: George Chapman, Letter(s)

Copy of fourteen letters and petitions by, or probably by, Chapman, to unidentified ladies and other correspondents (5); to George Buc; to King James I (2); to Henry Howard, Earl of Northampton; to ? Sir Edward Phelips; to Thomas Howard, Earl of Suffolk (2); to Mr Crane; and to Lord Ellesmere; and to the Privy Council; all undated, but probably ranging between 1600 and 1615.

Braunmuller Nos 38, 49, 73, 86-9, 112, 124-6, 136, 138, 139.

Various letters edited, some with discussions of authorship, in Eccles, p. 185; in Robert D. Parsons, ‘Chapman's Letter to Mr. Sares: A “Hamlet” Parallel’, N&Q, 214 (April 1969), 137; in Tucker Orbison, ‘The Case for the Attribution of a Chapman Letter’, SP, 72 (1975), 72-84; and elsewhere.

ff. 64v-5r, 94r, 90r-3r

JnB 744: Ben Jonson, Letter(s)

Copies of a series of nine letters and petitions by Jonson, to Mr Leech; Thomas Bond; Thomas Howard, Earl of Suffolk [?]: Sir Robert Cecil; an unidentified lord; Lucy, Countess of Bedford [?]; Esmé Stuart, Lord D'Aubigny [?]; Philip Herbert, Earl of Pembroke; and William Herbert, Earl of Pembroke; undated but the first two probably 1613 and the rest probably 1613.

Braunmuller, Nos 93-4, 127-33. Eight letters edited in Herford and Simpson, I, 193-4, 197-201.

MS V.a.322

A quarto verse miscellany, with later accounts on the last page dated June 1658, 1* + 238 pages (including stubs of extracted pages 191-6, plus numerous blanks), in old calf (rebacked). Including 11 poems by Carew and 14 poems by Randolph. c.1630s-40s.

Inscribed ‘Jane Wheeler’ and ‘Tho: Oliver Busfield’. Francis Quarles's poem (pp. 209-11) ‘To ye two partners of my heart Mr John Wheeler, and Mr Symon Tue’. Item 96 in an unidentified sale catalogue. Formerly Folger MS 2071.6.

A ‘Jo. Wheeler’ signed the Christ Church, Oxford, disbursement books for 1641-3 (xii, b.85 and 86).

Cited in IELM, II.i-ii (1987-93), as the ‘Wheeler MS’: CwT Δ 25 and RnT Δ 7.

p. 1*

RaW 470: Sir Walter Ralegh, ‘Say not you love, unless you do’

Copy, headed ‘two Louers’.

First published in Inedited Poetical Miscellanies, 1584-1700, ed. W.C. Hazlitt ([London], 1870), p. [179]. Listed but not printed in Latham, p. 174. Rudick, No. 38, p. 106.

p. 1

CwT 689: Thomas Carew, Secresie protested (‘Feare not (deare Love) that I'le reveale’)

Copy, headed ‘On Two Louers’.

First published in Poems (1640). Dunlap, p. 11. Musical setting by Henry Lawes published in The Second Book of Ayres and Dialogues (London, 1655).

See also Introduction.

p. 2

CoR 621: Richard Corbett, To the Ladyes of the New Dresse (‘Ladyes that weare black cypresse vailes’)

Copy, headed ‘To you Ladyes & Yor. women that doe black Cyprus vayles’.

First published in Witts Recreations (London, 1640). Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, p. 90.

This poem is usually followed in MSS by ‘The Ladyes Answer’ (‘Blacke Cypresse vailes are shrouds of night’): see GrJ 14.

p. 2

GrJ 36: John Grange, ‘Black cypress veils are shrouds of night’

Copy, headed ‘The Ladies answere’.

An ‘Answer’ to Corbett's ‘To the Ladyes of the New Dresse’ (CoR 595-629), first published in Witts Recreations (London, 1640). The Poems of Richard Corbett, ed. J.A.W. Bennett and H.R. Trevor-Roper (Oxford, 1955), p. 91. Listed as by John Grange in Krueger.

p. 3

StW 223: William Strode, A Letter impos'd (‘Goe, happy paper, by commande’)

Copy.

First published in Parnassus Biceps (London, 1656). Dobell, pp. 100-1. The Poems and Amyntas of Thomas Randolph, ed. John Jay Parry (New Haven & London, 1917), pp. 219-20. Forey, pp. 32-3.

p. 3

StW 1127: William Strode, To a Valentine (‘Fayre Valentine, since once your welcome hand’)

Copy.

First published in The Academy of Complements (London, 1650). Dobell, p. 42. Forey, p. 193.

p. 4

JnB 88: Ben Jonson, An Epigram. To William, Earle of Newcastle (‘When first, my Lord, I saw you backe your horse’)

Copy, subscribed ‘B: J:’.

First published in John Benson's 4to edition of Jonson's poems (1640) and in The Vnder-wood (liii) in Workes (London, 1640). Herford & Simpson, VIII, 288.

pp. 4-5

JnB 536: Ben Jonson, To the right Honourable, the Lord Treasurer of England. An Epigram (‘If to my mind, great Lord, I had a state’)

Copy, subscribed ‘B: J.’

First published in John Benson's 4to edition of Jonson's poems (1640) and in The Vnder-wood (lxxvii) in Workes (London, 1640). Herford & Simpson, VIII, 260-1.

pp. 5-7

RnT 125: Thomas Randolph, A gratulatory to Mr. Ben. Johnson for his adopting of him to be his Son (‘I was not borne to Helicon, nor dare’)

Copy, headed ‘A Gratulatory to Mr Jonson for his voluntary adoption of mee to bee his sonne.’, subscribed ‘T: R:’.

First published in Poems (1638). Thorn-Drury, pp. 40-2.

pp. 7-8

JnB 77: Ben Jonson, An Epigram To my Mvse, the Lady Digby, on her Husband, Sir Kenelme Digby (‘Tho', happy Muse, thou know my Digby well’)

Copy, headed ‘An Epigram one Sr Kenelme Digby’.

First published in John Benson's 4to edition of Jonson's poems (1640) and in The Vnder-wood (lxxviii) in Workes (London, 1640). Herford & Simpson, VIII, 262-3.

pp. 8-9

JnB 176: Ben Jonson, Eupheme. or, The Faire Fame Left to Posteritie Of that truly noble Lady, the Lady Venetia Digby. 3. The Picture of the Body (‘Sitting, and ready to be drawne’)

Copy, headed ‘Vpon Mrs Venetia Stanley. The Body’.

First published (Nos. 3 and 4) in John Benson's 4to edition of Jonson's poems (1640) and (all poems) in The Vnder-wood (lxxxiv) in Workes (London, 1640). Herford & Simpson, VIII, 272-89 (pp. 275-7).

pp. 9-11

JnB 214: Ben Jonson, Eupheme. or, The Faire Fame Left to Posteritie Of that truly noble Lady, the Lady Venetia Digby. 4. The Mind (‘Painter, yo'are come, but may be gone’)

Copy, headed ‘The Mind’, subscribed ‘B: J:’.

Herford & Simpson, VIII, 277-81.

pp. 11-14

JnB 252: Ben Jonson, An Expostulacon wth Inigo Iones (‘Mr Surueyr, you yt first begann’)

Copy.

First published in The Works of Ben Jonson, 7 vols, ed. Peter Whalley (London, 1756). Herford & Simpson, VIII, 402-6.

pp. 14-15

JnB 493: Ben Jonson, To Inigo Marquess Would be A Corollary (‘But cause thou hearst ye mighty k. of Spaine’)

Copy.

First published in The Works of Ben Jonson, ed. Peter Whalley, 7 vols (London, 1756). Herford & Simpson, VIII, 406-7.

p. 15

JnB 479: Ben Jonson, To a ffreind an Epigram Of him (‘Sr Inigo doth feare it as I heare’)

Copy, subscribed ‘B: J:’.

First published in The Works of Ben Jonson, ed. Peter Whalley, 7 vols (London, 1756). Herford & Simpson, VIII, 407-8.

pp. 16-19

JnB 523: Ben Jonson, To the immortall memorie, and friendship of that noble paire, Sir Lvcivs Cary, and Sir H. Morison (‘Brave infant of Saguntum, cleare’)

Copy, headed ‘Ode Pindærick. On the death of Sr Hen: Morison’, subscribed ‘B: J.’

First published in John Benson's 4to edition of Jonson's poems (1640) and in The Vnder-wood (lxx) in Workes (London, 1640). Herford & Simpson, VIII, 242-7.

p. 27

DkT 24: Thomas Dekker, Vpon her bringing by water to White Hall (‘The Queene was brought by water to White Hall’)

Copy, headed ‘On Q: Elizabeth caried to Buriall by water’.

First published in The Wonderfull yeare (London, 1603). Reprinted in William Camden, Remaines (London, 1614), and in Thomas Heywood, The Life and Death of Queene Elizabeth (London, 1639). Grosart, I, 93-4. Tentatively (but probably wrongly) attributed to Camden in George Burke Johnston, ‘Poems by William Camden’, SP, 72 (December 1975), 112.

p. 28

CoR 182: Richard Corbett, An Elegie written upon the death of Dr. Ravis Bishop of London (‘When I past Paules, and travell'd in that walke’)

Copy, headed ‘On Doctor Ravis Bishop of London’, ‘by Dr Corbet’ added in another hand.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 3-4.

pp. 29-31

BmF 43: Francis Beaumont, An Elegy on the Death of the Virtuous Lady, Elizabeth Countess of Rutland (‘I may forget to eat, to drink, to sleep’)

Copy, headed ‘On the death of the Lady of Rutland’, subscribed ‘Fran: Beamont’.

First published in Sir Thomas Overbury, A Wife, 11th impression (London, 1622). Dyce, XI, 507-11.

pp. 31-2

PoW 45: Walton Poole, ‘If shadows be a picture's excellence’

Copy, headed ‘On the comendation of a black gentlewoman’.

This MS collated in Wolf (as MS Z).

First published, as ‘In praise of black Women; by T.R.’, in Robert Chamberlain, The Harmony of the Muses (London, 1654), p. 15 [unique exemplum in Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990)]; in Abraham Wright, Parnassus Biceps (London, 1656), pp. 75-7, as ‘On a black Gentlewoman’. Poems (1660), pp. 61-2, as ‘On black Hair and Eyes’ and superscribed ‘R’; in The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 460-1, as ‘on Black Hayre and Eyes’, among ‘Poems attributed to Donne in MSS’; and in The Poems of William Herbert, Third Earl of Pembroke, ed. Robert Krueger (B.Litt. thesis, Oxford, 1961: Bodleian, MS B. Litt. d. 871), p. 61.

p. 33

PeW 189: William Herbert, third Earl of Pembroke, Of a fair Gentlewoman scarce Marriageable (‘Why should Passion lead thee blind’)

Copy, headed ‘Vppon a wench vnder : 14.’, here beginning ‘Why should passion make thee blinde’.

This MS recorded in Krueger.

First published in [John Gough], Academy of Complements (London, 1646), p. 202. Poems (1660), p. 76, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by Walton Poole.

p. 33

StW 1326: William Strode, A Lover to his Mistress (‘Ile tell you how the Rose did first grow redde’)

Copy, headed ‘One to his mystres’.

First published, in Wits Recreations (London, 1640). Dobell, p. 48. Listed, without text, in Forey, p. 339.

pp. 33, 37

B&F 142: Francis Beaumont and John Fletcher, The Nice Valour, III, iii, 36-4. Song (‘Hence, all you vain delights’)

Copy, written as two separate poems, stanza 1 headed ‘On Melancholly’ and stanzas 2-3 headed ‘Melancholly’.

Bowers, VII, 468-9. This song first published in A Description of the King and Queene of Fayries (London, 1634). Thomas Middleton, The Collected Works, general editors Gary Taylor and John Lavagnino (Oxford, 2007), pp. 1698-9.

For William Strode's answer to this song (which has sometimes led to both songs being attributed to Strode) see StW 641-663.

p. 34

PeW 149: William Herbert, third Earl of Pembroke, Apollo's Oath (‘When Phebus first did Daphne love’)

Copy.

This MS recorded in Krueger.

First published, in a two-stanza version in a musical setting, in John Dowland, Third Booke of Aires (London, 1603), No. vi. A three-stanza version in John Philips, Sportive Wit (London, 1656), p. 31. A four-stanza version in Poems (1660), p. 115, unattributed. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as probably by Charles Rives (of New College, Oxford). It is possible, however, that the poem grew by accretions in different hands, Rives perhaps being responsible for the fourth stanza.

p. 34

CoR 544: Richard Corbett, On the Lady Arabella (‘How doe I thanke thee, Death, & blesse thy power’)

Copy, headed ‘The Lady Arabella’, inscribed in a different hand ‘Dr Corbet’.

First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, p. 18.

p. 35

HrJ 311: Sir John Harington, A Tragicall Epigram (‘When doome of Peeres & Iudges fore-appointed’)

Copy, headed ‘An elegye on ye Queene of Scotts’ and here beginning ‘When doome of death by iudgment foreappointed’.

First published in 1615. 1618, Book IV, No. 82. McClure No. 336, pp. 280-1. Kilroy, Book III, No. 44, p. 185. This epigram is also quoted in the Tract on the Succession to the Crown (see HrJ 333-5).

pp. 36-7

WoH 245: Sir Henry Wotton, A Farewell to the Vanities of the World (‘Farewell, ye gilded follies, pleasing troubles!’)

Copy, untitled, inscribed at the top ‘Dr Dunn’.

First published, as ‘a farewell to the vanities of the world, and some say written by Dr. D[onne], but let them bee writ by whom they will’, in Izaak Walton, The Complete Angler (London, 1653), pp. 243-5. Hannah (1845), pp. 109-13. The Poems of John Donne, ed. Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 465-7.

pp. 37-8

MoG 70: George Morley, On the Nightingale (‘My limbs were weary and my head oppressed’)

Copy, headed ‘The Nightingale’.

p. 39

CwT 251: Thomas Carew, A flye that flew into my Mistris her eye (‘When this Flye liv'd, she us'd to play’)

Copy, headed ‘An elegye vppon a flye: Carew’.

First published in Poems (1640). Dunlap, pp. 37-9. Musical setting by Henry Lawes published in The Treasury of Musick, Book 2 (London, 1669).

pp. 39-41

DnJ 91: John Donne, The Anagram (‘Marry, and love thy Flavia, for, shee’)

Copy, headed ‘Upon an ilfauored gentlewoman’.

This MS recorded in Gardner and in Shawcross.

First published as ‘Elegie II’ in Poems (1633). Grierson, I, 80-2 (as ‘Elegie II’). Gardner, Elegies, pp. 21-2. Shawcross, No. 17. Variorum, 2 (2000), pp. 217-18.

pp. 41-2

CoR 678: Richard Corbett, Upon An Unhandsome Gentlewoman, who made Love unto him (‘Have I renounc't my faith, or basely sold’)

Copy, headed ‘Dr Corbett to Madam Mallett’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 6-7.

p. 43

PeW 245: William Herbert, third Earl of Pembroke, A Paradox in praise of a painted Woman (‘Not kiss? by Love I must, and make impression’)

Copy of the short version, headed ‘A maydes deniall’ and here beginning ‘Nay pish, nay peu, nay fayth, and will you! fye’.

Poems (1660), pp. 93-5, superscribed ‘P.’. First published in Parnassus Biceps (London, 1656), p. 97. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by William Baker. The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 456-9, as ‘A Paradox of a Painted Face’, among ‘Poems attributed to Donne in MSS’. Also ascribed to James Shirley.

A shorter version, beginning ‘Nay pish, nay pew, nay faith, and will you, fie’, was first published, as ‘A Maids Denyall’, in Richard Chamberlain, The Harmony of the Muses (London, 1654) [apparently unique exemplum in the Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990), pp. 49-50].

pp. 43-4

StW 52: William Strode, The commendation of gray Eies (‘Looke how the russet Morne exceedes the Night’)

Copy, headed ‘Of Grey eyes: W: Stroude’.

First published in Dobell (1907), pp. 35-6. Forey pp. 40-1.

p. 47

DaW 23: Sir William Davenant, For the Lady, Olivia Porter. A present, upon a New-yeares day (‘Goe! hunt the whiter Ermine! and present’)

Copy, headed ‘A new-yeeres guift to Mrs Porter from W: Dauenant’.

First published in Madagascar (London, 1638). Gibbs, p. 43.

p. 47

HrJ 69: Sir John Harington, A good answere of a Gentlewoman to a Lawyer (‘A vertuous Dame, that saw a Lawyer rome’)

Copy, headed ‘A Lady to a Lawyer’, inscribed in different ink ‘Sr John Harrington’.

First published in 1618, Book III, No. 39. McClure No. 240, pp. 248-9. Kilroy, Book IV, No. 90, p. 224.

p. 49

CoR 124: Richard Corbett, An Elegie vpon the Death of Sir Thomas Ouerbury Knight poysoned in the Tower (‘Hadst thou, like other Sirs and Knights of worth’)

Copy, headed On Sr Thomas Ouerbury.

First published in Sir Thomas Overbury, A Wife, 9th impression (London, 1616). Bennett & Trevor-Roper, pp. 18-19.

p. 50

KiH 204: Henry King, An Elegy Upon S.W.R. (‘I will not weep. For 'twere as great a Sinne’)

Copy, headed ‘On Sr Walter Rawley’, ‘by Bp. King’ added in a different hand.

First published in Poems (1657). Crum, p. 66.

p. 51

StW 402: William Strode, On a Gentlewoman that sung, and playd upon a Lute (‘Bee silent, you still Musicke of the sphears’)

Copy, headed ‘On a Lady singing’, subscribed ‘W. Stroude’.

First published in Wits Interpreter (London, 1655), Part II, p. 278. Dobell, p. 39. Forey, p. 208.

pp. 51-2

CwT 772: Thomas Carew, A Song (‘In her faire cheekes two pits doe lye’)

Copy, headed ‘A song on his mystres’ and here beginning ‘In your fayre cheekes two pitts doe lye’.

First published in Poems (1640). Dunlap, p. 105.

p. 52

HrE 70: Edward, Lord Herbert of Cherbury, To Mrs. Diana Cecyll (‘Diana Cecyll, that rare beauty thou dost show’)

Copy, untitled, subscribed ‘Sr Edward Harbert’.

First published in Occasional Verses (1665). Moore Smith, pp. 34-5.

pp. 53-4

CwT 1250.9: Thomas Carew, A Louers passion (‘Is shee not wondrous fayre? but oh I see’)

Copy, headed ‘A louers passionate song on a fayre mayde’.

First published, as ‘The Rapture, by J.D.’, in Robert Chamberlain, The Harmony of the Muses (London, 1654), pp. 3-4 [unique exemplum in the Huntington edited in facsimile by Ernest W. Sullivan (Aldershot, 1990)]. Cupids Master-Piece (London, [?1656]). Dunlap, p. 192.

p. 55

DnJ 2970: John Donne, Song (‘Stay, O sweet, and do not rise’)

Copy of lines 1-6, headed ‘Song. Dr Donne’.

This MS collated in Doughtie, pp. 610-11. See also DnJ 463.

First published (in a two-stanza version) in John Dowland, A Pilgrim's Solace (London, 1612) and in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Printed as the first stanza of Breake of day in Poems (London, 1669). Grierson, I, 432 (attributing it to Dowland). Gardner, Elegies, p. 108 (in her ‘Dubia’). Doughtie, Lyrics from English Airs, pp. 402-3. Not in Shawcross.

See also DnJ 428.

p. 55

DnJ 463: John Donne, Breake of day (‘'Tis true, 'tis day. what though it be?’)

Copy, untitled and immediately following on from ‘Stay, O sweet, and do not rise’ (DnJ 2970).

First published in William Corkine, Second Book of Ayres (London, 1612), sig. B1v. Grierson, I, 23. Gardner, Elegies, pp. 35-6. Shawcross, No. 46.

p. 56

WoH 107: Sir Henry Wotton, On his Mistress, the Queen of Bohemia (‘You meaner beauties of the night’)

Copy, headed ‘Song’, subscribed ‘Sr Hen: Wotton’.

First published (in a musical setting) in Michael East, Sixt Set of Bookes (London, 1624). Reliquiae Wottonianae (London, 1651), p. 518. Hannah (1845), pp. 12-15. Some texts of this poem discussed in J.B. Leishman, ‘“You Meaner Beauties of the Night” A Study in Transmission and Transmogrification’, The Library, 4th Ser. 26 (1945-6), 99-121. Some musical versions edited in English Songs 1625-1660, ed. Ian Spink, Musica Britannica XXXIII (London, 1971), Nos. 66, 122.

p. 57

StW 1030: William Strode, A Sonnet (‘My Love and I for kisses played’)

Copy.

First published in A Banquet of Jests (London, 1633). Dobell, p. 47. Forey, p. 211. The poem also discussed in C.F. Main, ‘Notes on some Poems attributed to William Strode’, PQ, 34 (1955), 444-8 (p. 446-7).

p. 57

StW 902: William Strode, A song (‘Thoughts doe not vexe me while I sleepe’)

Copy.

First published in The Academy of Complements (London, 1650). Forey, p. 209.

p. 58

RnT 1: Thomas Randolph, Ad Amicam (‘Sweet, doe not thy beauty wrong’)

Copy, headed ‘Song’ and here beginning ‘Deare, doe not your fayre beauty wrong’.

First published, in a version beginning ‘Deare, doe not your fair beauty wrong’, in Thomas May, The Old Couple (London, 1658), p. 25. Attributed to Randolph in Parry (1917), p. 224. Thorn-Drury, p. 168.

p. 58

CwT 885: Thomas Carew, Song. Murdring beautie (‘Ile gaze no more on her bewitching face’)

Copy, headed ‘Song’.

First published in Poems (1640) and in Wits Recreations (London, 1640). Dunlap, p. 8.

p. 59

KiH 74.5: Henry King, The Boy's answere to the Blackmore (‘Black Mayd, complayne not that I fly’)

Copy, headed ‘His answere’.

First published in The Academy of Complements (London, 1646). Poems (1657). Crum, p. 151. The text almost invariably preceded, in both printed and MS versions, by (variously headed) ‘A Blackmore Mayd wooing a faire Boy: sent to the Author by Mr. Hen. Rainolds’ (‘Stay, lovely Boy, why fly'st thou mee’). Musical settings by John Wilson in Henry Lawes, Select Ayres and Dialogues (London, 1669).

pp. 59-61

CwT 732: Thomas Carew, A Song (‘Aske me no more whether doth stray’)

Copy, untitled.

First published in a five-stanza version beginning ‘Aske me no more where Iove bestowes’ in Poems (1640) and in Poems: by Wil. Shake-speare, Gent. (London, 1640), and edited in this version in Dunlap, pp. 102-3. Musical setting by John Wilson published in Cheerful Ayres or Ballads (Oxford, 1659). All MS versions recorded in CELM, except where otherwise stated, begin with the second stanza of the published version (viz. ‘Aske me no more whether doth stray’).

For a plausible argument that this poem was actually written by William Strode, see Margaret Forey, ‘Manuscript Evidence and the Author of “Aske me no more”: William Strode, not Thomas Carew’, EMS, 12 (2005), 180-200. See also Scott Nixon, ‘“Aske me no more” and the Manuscript Verse Miscellany’, ELR, 29/1 (Winter 1999), 97-130, which edits and discusses MSS of this poem and also suggests that it may have been written by Strode.

p. 61

B&F 183: Francis Beaumont and John Fletcher, Valentinian, V, ii, 13-22. Song (‘Care-charming Sleep, thou easer of all woes’)

Copy, headed ‘A Song sung to Prince Henery at his departinge’.

Dyce, V, 297. Bullen, IV, 302. Bowers, IV, 360-1.

p. 63

RnT 495: Thomas Randolph, On Michaell Drayton (‘Do pious marble let thy readers know’)

Copy.

Unpublished? Generally attributed to Francis Quarles.

p. 63

KiH 654: Henry King, Sonnet. The Double Rock (‘Since Thou hast view'd some Gorgon, and art grow'n’)

Copy, headed ‘A sonnet against his Mrs:’.

First published in Poems (1657). Crum, pp. 167-8.

pp. 63-4

KiH 505: Henry King, The Retreit (‘Pursue no more (My Thoughts!) that False Unkind’)

Copy, headed ‘Sonnet 2’.

First published in The Academy of Complements (London, 1646). Poems (1657). Crum, p. 168.

p. 64

KiH 408: Henry King, Love's Harvest (‘Fond Lunatick forbeare. WHy dost thou sue’)

Copy, headed ‘Sonnet: 3:’, subscribed ‘Dr: H: King:’.

First published in The Academy of Complements (London, 1646). Poems (1657). Crum, p. 169.

p. 66

AlW 160: William Alabaster, Upon a Conference in Religion between John Reynolds then a Papist, and his Brother William Reynolds then a Protestant (‘Bella inter geminos plusquam civilia fratres’)

Copy, headed ‘Carmina inter duos fratres Reynoldes Oxon:’.

First published in J.J. Smith, The Cambridge Portfolio (London, 1840), pp. 183-6. Sutton, p. 12-13 (No. XVI).

p. 66

AlW 178: William Alabaster, Upon a Conference in Religion between John Reynolds then a Papist, and his Brother William Reynolds then a Protestant (‘Between two Bretheren Civil warres and worse’)

Copy, headed ‘Thus Englished’, subscribed ‘Dr Alablaster’.

A translation of Alabaster's Latin poem by Hugh Holland. Sutton, p. 13.

pp. 67-72

KiH 235: Henry King, An Elegy Upon the most victorious King of Sweden Gustavus Adolphus (‘Like a cold Fatall Sweat which ushers Death’)

Copy, headed ‘An Elegy vpon ye K of Sueden’, subscribed ‘D: K:’.

First published in The Swedish Intelligencer, Third Part (London, 1633). Poems (1657). Crum, pp. 77-81.

pp. 80-4

KiH 159: Henry King, An Elegy Occasioned by Sicknesse (‘Well did the Prophet ask, Lord what is Man?’)

Copy, subscribed ‘Dr H. King’.

First published in Richard Chamberlain, The Harmony of the Muses (London, 1654) [apparently unique exemplum in the Huntington, edited in facsimile by Ernest W. Sullivan (Aldershot, 1990), pp. 12-15]. Poems (1657). Crum, pp. 174-7.

pp. 85-6

RnT 373: Thomas Randolph, Upon the losse of his little finger (‘Arithmetique nine digits, and no more’)

Copy, headed ‘Randall on ye losse of a finger’.

First published in Poems (1638). Thorn-Drury, pp. 56-7.

pp. 86-7

CaW 46: William Cartwright, A Sigh sent to his absent Love (‘I sent a Sigh unto my Blest ones Eare’)

Copy, headed ‘A Sigh’.

This MS collated in Evans.

First published in William Shakespeare, Poems (London, 1640). Evans, pp. 472-3.

p. 87

CwT 561: Thomas Carew, A prayer to the Wind (‘Goe thou gentle whispering wind’)

Copy, headed ‘On a sighe’.

First published in Poems (1640) and in Poems: written by Wil. Shake-speare, Gent. (London, 1640). Dunlap, pp. 11-12.

p. 88

CwT 30: Thomas Carew, Celia bleeding, to the Surgeon (‘Fond man, that canst beleeve her blood’)

Copy, headed ‘Of Caelia's letting blood. To ye Chirurgian’, and here beginning ‘Foole that beleevst her clearer blood’.

First published in Poems (1640). Dunlap, p. 26.

pp. 90-1

CaW 14: William Cartwright, Falshood (‘Still do the Stars impart their light’)

Copy, headed ‘To his mistris that prou'd false’.

This MS collated in Evans.

First published in Works (1651), pp. 215-16. Evans, pp. 468-70.

pp. 91-3

GrJ 55: John Grange, ‘Not that I wish my Mistris’

Copy, headed ‘Song’, subscribed ‘John: Grange’.

This MS recorded in Krueger.

First published in Wits Recreations Augmented (London, 1641), sig. V7v. John Playford, Select Ayres and Dialogues (1652), Part II, p. 28. Poems (1660), pp. 79-81, unattributed. Prince d'Amour (1660), p. 123, ascribed to ‘J.G.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as by John Grange.

pp. 96-7

BcF 32: Francis Bacon, ‘The world's a bubble, and the life of man’

Copy, headed ‘Humane life Charactered by Francis Viscount St Albanes’, subscribed ‘Lord: virulam’.

First published in Thomas Farnaby, Florilegium epigrammatum Graecorum (London, 1629). Poems by Sir Henry Wotton, Sir Walter Raleigh and others, ed. John Hannah (London, 1845), pp. 76-80. Spedding, VII, 271-2. H.J.C. Grierson, ‘Bacon's Poem, “The World”: Its Date and Relation to certain other Poems’, Modern Language Review, 6 (1911), 145-56.

pp. 97-8

CwT 495: Thomas Carew, On his Mistres lookeinge in a glasse (‘This flatteringe glasse whose smooth face weares’)

Copy.

First published in Hazlitt (1870), pp. 23-4. Dunlap. p. 132.

pp. 98-101

RnT 332: Thomas Randolph, Upon a very deformed Gentlewoman, but of a voice incomparably sweet (‘I chanc'd sweet Lesbia's voice to heare’)

Copy.

First published in Poems (1638). Thorn-Drury, pp. 115-17. Davis, pp. 92-105.

p. 101

RnT 161.5: Thomas Randolph, In Lesbiam, & Histrionem (‘I wonder what should Madam Lesbia meane’)

Copy, headed ‘Englished’ and subscribed ‘Tho: Randolph’, following the Latin version.

First published in Poems (1638). Thorn-Drury, pp. 42-4.

pp. 101-9

RnT 42: Thomas Randolph, A complaint against Cupid that he never made him in Love (‘How many of thy Captives (Love) complaine’)

Copy, headed ‘His Complaint on Cupid that hee neuer yet made him enamoured’, subscribed ‘Tho: Randolph’.

First published in Poems (1638). Thorn-Drury, pp. 35-40.

p. 109

RnT 302: Thomas Randolph, The Song of Discord (‘Let Linus and Amphions lute’)

Copy, subscribed ‘Tho: Randolph’.

First published in Poems (1638). Thorn-Drury, p. 87.

pp. 109-10

RnT 431: Thomas Randolph, The Muses' Looking-Glass, Act I, scene iv. Song (‘Say in a dance how shall we go’)

Copy, headed ‘The Masq[ue] of Vices’, subscribed ‘Tho: Randolph’.

First published (with Poems) Oxford, 1638. Hazlitt, I, 173-266 (p. 192).

p. 110

ShJ 128: James Shirley, ‘Would you know what's soft?’

Copy, untitled.

First published, as a ‘Song’, in Thomas Carew, Poems (London, 1640). Shirley, Poems (London, 1646). Armstrong, p. 3.

pp. 110-17

RnT 241: Thomas Randolph, On the Inestimable Content He Injoyes in the Muses, To those of his Friends that dehort him from Poetry (‘Goe sordid earth, and hope not to bewitch’)

Copy, subscribed ‘Tho Randolph’.

First published in Poems (1638). Thorn-Drury, pp. 23-8.

pp. 117-18

RnT 56: Thomas Randolph, De Moderatione Animi in vtraque fortuna (‘Is thy poore Barke becalm'd, and forc'd to staye’)

Copy, subscribed ‘Tho: Randolphe’.

First published in Day (1932), p. 36.

p. 118v

HyJ 18.5: John Heywood, ‘What hart can thynk or toong expres’

A forgery by J.P. Collier.

See Giles E. Dawson, ‘John Payne Collier's Great Forgery’, SB, 24 (1971), 1-26 (p. 4).

First published in Halliwell (1848), pp. 79-80. Milligan, pp. 256-7.

pp. 118-25

RnT 82: Thomas Randolph, An Eglogue to Mr Johnson (‘Under this Beech why sit'st thou here so sad’)

Copy, headed ‘An Eglogue To his worthy Father Mr. Ben: Jonson’, subscribed ‘Tho: Randolph.’

First published in Poems (1638). Thorn-Drury, pp. 104-9.

pp. 127-8

JnB 357: Ben Jonson, My Picture left in Scotland (‘I now thinke, Love is rather deafe, then blind’)

Copy, untitled.

First published in John Benson's 4to edition of Jonson's poems (1640) and in The Vnder-wood (ix) in Workes (London, 1640). Herford & Simpson, VIII, 149-50.

p. 128

JnB 41: Ben Jonson, A Celebration of Charis in ten Lyrick Peeces. 7. Begging another, on colour of mending the former (‘For Loves-sake, kisse me once againe’)

Copy, untitled.

Herford & Simpson, VIII, 139.

pp. 130-4

PeW 246: William Herbert, third Earl of Pembroke, A Paradox in praise of a painted Woman (‘Not kiss? by Love I must, and make impression’)

Copy, headed ‘The Paradox’.

This MS recorded in Krueger.

Poems (1660), pp. 93-5, superscribed ‘P.’. First published in Parnassus Biceps (London, 1656), p. 97. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by William Baker. The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 456-9, as ‘A Paradox of a Painted Face’, among ‘Poems attributed to Donne in MSS’. Also ascribed to James Shirley.

A shorter version, beginning ‘Nay pish, nay pew, nay faith, and will you, fie’, was first published, as ‘A Maids Denyall’, in Richard Chamberlain, The Harmony of the Muses (London, 1654) [apparently unique exemplum in the Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990), pp. 49-50].

p. 143-5

PeW 94: William Herbert, third Earl of Pembroke, A Sonnet (‘Dear leave thy home and come with me’)

Copy.

Poems (1660), pp. 38-9, superscribed ‘P.’. Krueger, p. 32, among ‘Pembroke's Poems’. Edited, and tentatively attributed to Randolph, in G.C. Moore Smith, ‘Thomas Randolph’ (Warton Lecture on English Poetry, read 18 May 1927), Proceedings of the British Academy, 13 (1927), 79-121 (pp. 115-16).

pp. 145-8

CwT 1001: Thomas Carew, To A.L. Perswasions to love (‘Thinke not cause men flatt'ring say’)

Copy, headed ‘Perswations to Loue’.

First published in Poems (1640). Dunlap, pp. 4-6.

pp. 149-53

DnJ 2153: John Donne, Loves Progress (‘Who ever loves, if he do not propose’)

Copy, headed ‘Loues Progresse or Instructions in wooing to begin at the right end’, subscribed ‘Jo: Donne’.

This MS recorded in Shawcross.

First published in Wit and Drollery (London, 1661). Poems (London, 1669) (as ‘Elegie XVIII’). Grierson, I, 116-19. (as ‘Elegie XVIII’). Gardner, Elegies, pp. 16-19. Shawcross, No. 20. Variorum, 2 (2000), pp. 301-3.

p. 164

ToA 85: Aurelian Townshend, Mr. Townsends Verses to Ben Johnsons, in Answer to an Abusive Copie, Crying Down his Magnetick Lady (‘It cannon move thy friend (firm Ben) that he’)

Copy, headed ‘An Answer’.

First published in Wit and Drollery (London, 1656), p. 18. Chambers, p. 49. Almost certainly written by Zouch Townley.

p. 169

RnT 256: Thomas Randolph, On the Passion of Christ (‘What rends the temples vail, where is day gone?’)

Copy, headed ‘Englished’ and preceded by the Latin version headed ‘In Eclipsem Solis Christo Patienti Contingentem’, subscribed ‘Tho: Randolph’.

First published in Poems (1638). Thorn-Drury, p. 57. This poem is the ‘Englished’ version of Latin verses beginning ‘Quid templum abscindit? quo luxque diesque recessit’, printed in Thorn-Drury, pp. 178-9.

pp. 170-81

JnB 378: Ben Jonson, Ode to himselfe (‘Come leaue the lothed stage’)

Copy, headed ‘Mr Ionsons farewell to the stage’, on versos only, interspersed stanza for stanza with the answer by Randolph (RnT 23), subscribed ‘Ben: Jonson’.

First published, with the heading ‘The iust indignation the Author tooke at the vulgar censure of his Play, by some malicious spectators, begat this following Ode to himselfe’, in The New Inn (London, 1631). Herford & Simpson, VI, 492-4.

pp. 170-80

RnT 23: Thomas Randolph, An answer to Mr Ben Johnson's Ode to perswade him not to leave the stage (‘Ben doe not leave the stage’)

Copy, headed ‘Mr Randolophs Parody’, on versos only, interspersed stanza for stanza with Jonson's poem (JnB 378), subscribed ‘Tho: Randolph’.

First published in Poems (1638). Thorn-Drury, pp. 82-4. Davis, pp. 63-76.

For the poem by Ben Jonson, which appears with Randolph's ‘answer’ in many of the MSS, see JnB 367-81.

pp. 171-81

StW 1412: William Strode, Ben: Johns. Ode translat. per Gu. Stroad, Proc. Oxon. (‘Scenam defere Musa nauseatam’)

Copy, headed ‘Mr Strouds Translation’, on rectos only, facing Jonson's poem (JnB 378), subscribed ‘Willm Stroade’.

First published in Ben Jonson, ed. C. H. Herford and Percy & Evelyn Simpson, Volume X (Oxford, 1950), 335-6. Listed, without text, in Forey, p. 351.

For Jonson's original ode, see JnB 367-381.

pp. 171-81

RnT 413: Thomas Randolph, Ionson's Ode to Himself, translated (‘Eho jam satis & super Theatro’)

Copy, on rectos only, headed ‘Mr Randolphs Translation’, subscribed ‘Tho: Randolph’.

First published in S.R., A Crew of kind London Gossips …to which is added ingenious Poems or Wit and Drollery (London, 1633). Thorn-Drury, pp. 149-51. Ben Jonson, ed. C.H. Herford and Percy & Evelyn Simpson, Volume X (Oxford, 1950), pp. 336-7.

See also RnT 20-32 and JnB 367-381.

p. 182

WoH 211: Sir Henry Wotton, Upon the Sudden Restraint of the Earl of Somerset then falling from favour (‘Dazzled thus with the height of place’)

Copy, untitled, here beginning ‘Thus dazelled with height of place’, subscribed ‘Sr: Hen: Wotton’.

First published in Reliquiae Wottonianae (London, 1651), p. 522. Hannah (1845), pp. 25-7. Some texts of this poem discussed in Ted-Larry Pebworth, ‘Sir Henry Wotton's “Dazel'd Thus, with Height of Place” and the Appropriation of Political Poetry in the Earlier Seventeenth Century’, PBSA, 71 (1977), 151-69.

pp. 183-4

RnT 519: Thomas Randolph, On the Goodwife's Ale (‘When shall we meet again and have a taste’)

Copy, subscribed ‘Sr Tho Jay’.

First published, anonymously, in Witts Recreations Augmented (London, 1641), sig. Y5v. Francis Beaumont, Poems (London, 1653), sig. M8v. Moore Smith (1925), pp. 252-4, and in Moore Smith (1927), pp. 92-3. Edited, discussed, and the possible attribution to Randolph supported, in Ben Jonson, ed. C.H. Herford and Percy & Evelyn Simpson, VIII (Oxford, 1947), 448-9.

The poem is most commonly attributed to Ben Jonson. Also sometimes ascribed to Sir Thomas Jay, JP, and to Randolph.

pp. 184-7

HeR 349: Robert Herrick, King Oberon his Cloathing (‘When the monethly horned Queene’)

Copy, subscribed ‘Ro: Herricke’.

Printed from this MS in Farmer.

First published, as ‘A Description of the King of Fayries Clothes’ and attributed to Sir Simeon Steward, in A Description of the King and Queene of Fayries (London, 1634). Musarum Deliciae (London, 1656), p. 32. Attributed to Herrick in Hazlitt, II, 473-7, and in Norman K. Farmer, Jr., ‘Robert Herrick and “King Oberon's Clothing”: New Evidence for Attribution’, Yearbook of English Studies 1 (1971), 68-77. Not included in Martin or in Patrick. See also T.G.S. Cain, ‘Robert Herrick, Mildmay Fane, and Sir Simeon Steward’, ELR, 15 (1985), 312-17.

p. 188

CwT 31: Thomas Carew, Celia bleeding, to the Surgeon (‘Fond man, that canst beleeve her blood’)

Copy, headed ‘A Gentleman too a Chirurgian Letting his Mistris Blood’, subscribed ‘Tho: Cary’.

First published in Poems (1640). Dunlap, p. 26.

p. 189

CoR 417.5: Richard Corbett, On Francis Beaumont's death (‘He that hath Youth, and Friends, and so much Wit’)

Copy, headed ‘On Mr: Francis Beaumonts death’, ‘by Dr Corbet’ added in another hand.

First published in Francis Beaumont, Poems (London, 1640). Bennett & Trevor-Roper, p. 23.

pp. 190, 197

CwT 635: Thomas Carew, A Rapture (‘I will enjoy thee now my Celia, come’)

Copy of the beginning and end, deleted; imperfect, lacking all pp. 191-6.

First published in Poems (1640). Dunlap, pp. 49-53.

pp. 197-8

GrJ 87: John Grange, ‘To the world Ile nowe discouer’

Copy, headed ‘To his false Mistris’, ascribed to ‘John Grange’.

A poem based on Ben Jonson's song ‘If I freely may discouer’ in The Poetaster (II, ii, 163 et seq.). Published in John Wardroper, Love and Drollery (London, 1969), pp. 102-3.

p. 212

CoA 149: Abraham Cowley, Prologue to the Guardian (‘Who says the Times do Learning disallow?’)

Copy, headed ‘The prologue to ye late play acted before the Prince Charles at cambridge. 1641’.

Facsimile in Jean F. Preston and Laetitia Yeandle, English Handwriting 1400-1650: An Introductory Manual (Binghamton, NY, 1992), No. 31, p. 99.

First published, under the pseudonym ‘Francis Cole’, in The Prologue and Epilogue to a Comedie, presented, at the Entertainment of the Prince His Highnesse, by the Schollers of Trinity Colledge in Cambridge, in March last, 1641 (London, 1642). Waller, I, 31-2 (and II, 161). Autrey Nell Wiley, ‘The Prologue and Epilogue to the Guardian’, RES, 10 (1934), 443-7 (pp. 444-5).

See also CoA 68-81.

p. 213

CoA 78: Abraham Cowley, The Epilogue [to the Guardian] (‘The Play, great Sir, is done. yet needs must fear’)

Copy, subscribed ‘Cowley. Author’.

First published, under the pseudonym ‘Francis Cole’, in The Prologue and Epilogue to a Comedie, presented, at the Entertainment of the Prince His Highnesse, by the Schollers of Trinity Colledge in Cambridge, in March last, 1641 (London, 1642).Printed (with the first line: ‘The Play is done, great Prince, which needs must fear’) in The Guardian (London, 1650). Waller, I, 32 (and II, 242). Autrey Nell Wiley, ‘The Prologue and Epilogue to the Guardian’, RES, 10 (1934), 443-7 (pp. 444-5).

See also CoA 137-52.

pp. 213-14

DeJ 34: Sir John Denham, Elegy on the Death of Judge Crooke (‘This was the Man! the Glory of the Gown’)

Copy, subscribed ‘Mr Denham Author’.

This MS recorded in O Hehir, Hieroglyphicks, p. 51.

First published in The Topographer for the year 1790 (London, 1790), II, 177. Banks, pp. 156-8.

pp. 216-26

DeJ 14: Sir John Denham, Cooper's Hill (‘Sure there are Poets which did never dream’)

Copy of a 340-line version, beginning ‘Sure wee haue poetts that did neuer dreame’, subscribed ‘Mr Denham’ (originally ‘Dodderidge’ which is deleted).

This MS collated in O Hehir, pp. 91-105 et seq. (and described pp. 51-3).

First published in London, 1642. Poems and Translations (London, 1668). Banks, pp. 62-89. O Hehir, Hieroglyphicks.

pp. 226-7

HoJ 74: John Hoskyns, The Censure of a Parliament Fart (‘Downe came graue auncient Sr John Crooke’)

Copy, headed ‘Verses on a fart lett by Sr Henery Ludlow at a Parliament held: 1628’ and here beginning ‘Downe came graue Serieant Crooke’.

Attributed to Hoskyns by John Aubrey. Cited, but unprinted, as No. III of ‘Doubtful Verses’ in Osborn, p. 300. Early Stuart Libels website.

p. 229

RnT 520: Thomas Randolph, On the Goodwife's Ale (‘When shall we meet again and have a taste’)

Copy, ascribed to Richard Wheeler.

First published, anonymously, in Witts Recreations Augmented (London, 1641), sig. Y5v. Francis Beaumont, Poems (London, 1653), sig. M8v. Moore Smith (1925), pp. 252-4, and in Moore Smith (1927), pp. 92-3. Edited, discussed, and the possible attribution to Randolph supported, in Ben Jonson, ed. C.H. Herford and Percy & Evelyn Simpson, VIII (Oxford, 1947), 448-9.

The poem is most commonly attributed to Ben Jonson. Also sometimes ascribed to Sir Thomas Jay, JP, and to Randolph.

pp. 235-8

SaG 2: George Sandys, A Dream (‘As I one night in Bed, revolving lay’)

Copy, subscribed ‘G.S.’.

Edited from this MS in Davis, loc. cit.

First published in Richard Beale Davis, ‘George Sandys and Two “Uncollected” Poems’, HLQ, 12 (1948-9), 105-11 (pp. 109-11).

MS V.a.339

An octavo miscellany of verse and prose, closely written in possibly several minute predominantly secretary hands, 291 leaves (ff. 212-16 bound out of order after f. 24), in modern calf. c.1640s.

Inscribed (f. 1r) ‘Joseph Hall’ (not the bishop). Later owned by John Payne Collier (1789-1883), literary scholar, editor and forger, who has entered in pseudo-17th-century secretary script copies of various ballads on ff. 39r-41r, 107v-79r, 181r-v, 227r-8v, 243r-6r, as well as adding foliation (1-284) before the more recent foliation (1-291, used below). Quaritch's sale catalogue ‘of English Literature’ (August-November 1884), item 22350, Collier's transcript of the MS made c.1860 being item 22352. Formerly Folger MS 2071.7.

Discussed, with facsimile examples, in Giles E. Dawson, ‘John Payne Collier's Great Forgery’, SB, 24 (1971), 1-26.

f. 19v

AndL 41.5: Lancelot Andrewes, Paraphrase on the Lords Prayer

Copy, headed ‘Dr: Androes Paraphrase on the Lords prayer’, beginning ‘If any be distrest, & faine would gather some comfort, let him hast vnto -- our ffather’.

Unpublished.

f. 20r

RaW 266: Sir Walter Ralegh, On the Life of Man (‘What is our life? a play of passion’)

Copy, headed in the margin ‘Life's description’.

This MS recorded in Latham, p. 144.

First published, in a musical setting, in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Latham, pp. 51-2. Rudick, Nos 29A, 29B and 29C (three versions, pp. 69-70). MS texts also discussed in Michael Rudick, ‘The Text of Ralegh's Lyric “What is our life?”’, SP, 83 (1986), 76-87.

f. 24r

MrT 8: Sir Thomas More, Epigrammata. 56. Alivd (‘Fleres, si scires unum tua tempora mensem’)

Copy of the Latin epigram, followed by an English translation beginning ‘Knowest thow a moneth should end thy dayes’, all ascribed at the side to ‘Sr. Tho: Moore’.

Yale, Vol. 3, Part II, pp. 130-1, with English translation.

f. 45r

GrF 5: Fulke Greville, Caelica, Sonnet lxxxiv (‘Farewell sweet Boy, comlaine not of my truth’)

Copy, untitled.

This sonnet first published in Martin Peerson, Mottects (London, 1630). Bullough, I, 134-5. Wilkes, I, 154.

f. 90v

DaS 11: Samuel Daniel, Delia. Sonnet LIIII (‘Care-charmer Sleepe, sonne of the sable night’)

Copy, headed ‘A Sonnet’, subscribed ‘S.D.’

Grosart, I, 72-3. Sprague, p. 33, as Sonnet XLV.

f. 107r

HyJ 15.8: John Heywood, A song in praise of a Ladie (‘Giue place, yea ladies, and be gone’)

Copy, headed ‘A discription of a most noble Ladye’.

First published in Songes and Sonettes, ed. Richard Tottel (London, 1557).

See also HyJ 7.

ff. 127v-8r

SuH 70.8: Henry Howard, Earl of Surrey, ‘When ragyng love with extreme payne’

Copy, untitled, a forgery by J.P. Collier.

See Giles E. Dawson, ‘John Payne Collier's Great Forgery’, SB, 24 (1971), 1-26 (p. 9).

First published in Songes and Sonettes (London, 1559). Padelford, No. 13, pp. 63-4. Jones, pp. 1-2.

f. 186v

CwT 900.3: Thomas Carew, Song. Murdring beautie (‘Ile gaze no more on her bewitching face’)

Copy, headed ‘A charminge Beuty’.

First published in Poems (1640) and in Wits Recreations (London, 1640). Dunlap, p. 8.

f. 187r

CwT 287.5: Thomas Carew, A flye that flew into my Mistris her eye (‘When this Flye liv'd, she us'd to play’)

Copy, headed ‘The flie’.

First published in Poems (1640). Dunlap, pp. 37-9. Musical setting by Henry Lawes published in The Treasury of Musick, Book 2 (London, 1669).

f. 187v

CwT 831: Thomas Carew, Song. Celia singing (‘Harke how my Celia, with the choyce’)

Copy, headed ‘on A lady singinge to her Lute’.

First published in Poems (1640). Dunlap, p. 38.

f. 188r

FlP 17: Phineas Fletcher, Venus and Anchises: Brittain's Ida (‘In Ida Vale (who knowes not Ida Vale?)’)

Extract, untitled and beginning at Canto II, stanza 7 (‘Fond men, whose wretched care the life soone ending’).

First published, as Brittain's Ida, ascribed to Edmund Spenser, [London], 1628. Boas, II, 343-63. Elizabethan Minor Epics, ed. Elizabeth Story Donno (London, 1963), pp. 305-24.

f. 188r

DnJ 1511: John Donne, His parting from her (‘Since she must go, and I must mourn, come Night’)

Copy of a 42-line version, headed ‘The departure from his Mrs.’

This MS recorded in Gardner and in Shawcross.

First published, in a 42-line version as ‘Elegie XIIII’, in Poems (London, 1635). Published complete (104 lines) in Poems (London, 1669). Grierson, I, 100-4 (as ‘Elegie XII’). Gardner, Elegies, pp. 96-100 (among her ‘Dubia’). Shawcross, No. 21. Variorum, 2 (2000), pp. 332-4 (with versions printed in 1635 and 1669 on pp. 335-6 and 336-8 respectively).

f. 188v

PeW 247: William Herbert, third Earl of Pembroke, A Paradox in praise of a painted Woman (‘Not kiss? by Love I must, and make impression’)

Copy of the short version, untitled but with a marginal note ‘Against Mrs Joseph’, here beginning ‘Nay pish, nay pewe nay faghs & will you? fie’.

Poems (1660), pp. 93-5, superscribed ‘P.’. First published in Parnassus Biceps (London, 1656), p. 97. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by William Baker. The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 456-9, as ‘A Paradox of a Painted Face’, among ‘Poems attributed to Donne in MSS’. Also ascribed to James Shirley.

A shorter version, beginning ‘Nay pish, nay pew, nay faith, and will you, fie’, was first published, as ‘A Maids Denyall’, in Richard Chamberlain, The Harmony of the Muses (London, 1654) [apparently unique exemplum in the Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990), pp. 49-50].

f. 189v

BrN 16: Nicholas Breton, Astrophell his Song of Phillida and Coridon (‘Faire in a morne (o fairest morne)’)

Copy, untitled.

Edited from this MS in Doughtie, Lyrics from English Airs, p. 500; recorded in Rollins, England's Helicon, II, 114.

First published in Englands Helicon (London, 1600), <No. 33>, ascribed to ‘N. Breton’ (‘S. Phil. Sidney’ cancelled). Grosart, I (t), p. 8.

f. 191r

EsR 21: Robert Devereux, second Earl of Essex, ‘Muses no more but mazes be your names’

Copy, untitled.

Edited from this MS in May, Courtier Poets.

May, Poems, No. 1, pp. 43-4. May, Courtier Poets, pp. 250-1EV 14991.

f. 192r

BrN 86: Nicholas Breton, Quatuor elementa (‘The Aire with swete my sences doe delight’)

Copy, untitled.

First published as ‘Of the foure Elements’ in Brittons Bowre of Delights (London, 1591), <No. 55>. Authorship unknown.

f. 193r

SiP 129: Sir Philip Sidney, Old Arcadia. Book II, No. 17 (‘My sheepe are thoughts, which I both guide and serve’)

Copy, untitled, subscribed ‘T.S[?]’.

This MS recorded in Ringler, p. 561, and in Robertson, p. 438.

Ringler, p. 39. Robertson, p. 197.

ff. 194v-5r

EsR 76: Robert Devereux, second Earl of Essex, A Poem made on the Earle of Essex (being in disgrace with Queene Eliz): by mr henry Cuffe his Secretary (‘It was a time when sillie Bees could speake’)

Copy of the fourteen-stanza version, untitled.

This MS text collated in May, pp. 128-32.

First published, in a musical setting by John Dowland, in his The Third and Last Booke of Songs or Aires (London, 1603). May, Poems, No. IV, pp. 62-4. May, Courtier Poets, pp. 266-9. EV 12846.

f. 195r

DaJ 29: Sir John Davies, In Curionem (‘The great archpapist learned Curio’)

Copy, untitled.

First published in Krueger (1975), pp. 182-3.

f. 196r-v

CoR 67.5: Richard Corbett, The Distracted Puritane (‘Am I madd, o noble Festus’)

Copy, headed ‘The distracted puritan to ye tune of Joviall tinker’, partly in double columns.

First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 56-9.

f. 197v

CmT 26: Thomas Campion, ‘Faine would I wed a faire yong man that day and night could please me’

Copy, untitled.

First published in The Third and Fourth Booke of Ayres (London, [c.1617]), Book IV, No. xxiv. Davis, p. 193.

f. 197v

JnB 449: Ben Jonson, Song. To Celia (‘Come my Celia let vs proue’)

Copy, in double columns, untitled, subscribed in a later hand ‘B Jonson’.

This MS collated in Doughtie, pp. 563-4.

First published in Volpone, III, vii, 166-83 (London, 1607). The Forrest (v) in Workes (London, 1616). Herford & Simpson, VIII, 102. Doughtie, Lyrics from English Airs, p. 294.

f. 198v

CmT 53: Thomas Campion, ‘I must complain, yet doe enjoy my Love’

Copy, untitled.

This MS collated in Doughtie, pp. 517-18.

First published in John Dowland, Third Book of Aires (London, 1603). Campion, The Third and Fourth Booke of Ayres (London [1617]), Book IV, No. xvii. Davis, pp. 184-5. Doughtie, p. 179.

f. 198v

DyE 87: Sir Edward Dyer, ‘The lowest trees haue topps, the ante her gall’

Copy.

First published in A Poetical Rapsody (London, 1602). Sargent, No. XII, p. 197. May, Courtier Poets, p. 307. EV 23336.

f. 201r

DnJ 2318: John Donne, The Message (‘Send home my long strayd eyes to mee’)

Copy, in double columns, untitled.

This MS recorded in Gardner and in Shawcross.

First published in Poems (1633). Grierson, I, 43. Gardner, Elegies, pp. 30-1. Shawcross, No. 25.

f. 203v

ShW 30: William Shakespeare, Sonnet 138 (‘When my love swears that she is made of truth’)

Copy, untitled.

This MS recorded in Rollins, p. 354.

Sonnet 138 first published as poem 1 in The Passionate Pilgrime (London, 1599).

f. 204r

PeW 150: William Herbert, third Earl of Pembroke, Apollo's Oath (‘When Phebus first did Daphne love’)

Copy, untitled.

This MS recorded in Krueger.

First published, in a two-stanza version in a musical setting, in John Dowland, Third Booke of Aires (London, 1603), No. vi. A three-stanza version in John Philips, Sportive Wit (London, 1656), p. 31. A four-stanza version in Poems (1660), p. 115, unattributed. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as probably by Charles Rives (of New College, Oxford). It is possible, however, that the poem grew by accretions in different hands, Rives perhaps being responsible for the fourth stanza.

f. 205r

RaW 359: Sir Walter Ralegh, Who list to heare (‘Who list to heare the sum of sorrowes state’)

Copy, untitled.

First published in The Phoenix Nest (London, 1593). Latham, pp. 83-4.

f. 205v

RnT 9: Thomas Randolph, Ad Amicam (‘Sweet, doe not thy beauty wrong’)

Copy, untitled and here beginning ‘Deare doe not yr faire beowty wronge’.

First published, in a version beginning ‘Deare, doe not your fair beauty wrong’, in Thomas May, The Old Couple (London, 1658), p. 25. Attributed to Randolph in Parry (1917), p. 224. Thorn-Drury, p. 168.

ff. 205v-7v

ShW 79: William Shakespeare, Richard II

Extracts, untitled.

First published in London, 1597.

f. 207r

RaW 482: Sir Walter Ralegh, ‘So lies my lovinge heart conceald’

Copy, ascribed in another hand to ‘W. R.’

Edited from this MS in Latham.

First published in Latham (1951), p. 169, as a doubtfully ascribed fragment.

ff. 208v-10v

OvT 19: Sir Thomas Overbury, A Wife (‘Each woman is a brief of woman kind’)

Copy, headed ‘Sr Tho: Overbury's wife’.

First published, as A Wife now the Widdow of Sir T. Ouerbury, in London, 1614. Rimbault, pp. 33-45. Beecher, pp. 190-8.

f. 210v

RaW 62: Sir Walter Ralegh, ‘Euen such is tyme which takes in trust’

Copy, headed in the margin ‘Tyme’ and here beginning ‘Whie this is time that takes in trust’, subscribed ‘Sr W: Ral:’.

This MS recorded in Latham, p. 154.

First published in Richard Brathwayte, Remains after Death (London, 1618). Latham, p. 72 (as ‘These verses following were made by Sir Walter Rauleigh the night before he dyed and left att the Gate howse’). Rudick, Nos 35A, 35B, and part of 55 (three versions, pp. 80, 133).

This poem is ascribed to Ralegh in most MS copies and is often appended to copies of his speech on the scaffold (see RaW 739-822).

See also RaW 302 and RaW 304.

f. 211r-v

RaW 937: Sir Walter Ralegh, Letter(s)

Copy of letters by Ralegh to his wife (1603) and to Sir Robert Carr (1618).

f. 214r

DaJ 30: Sir John Davies, In Curionem (‘The great archpapist learned Curio’)

Copy, untitled.

First published in Krueger (1975), pp. 182-3.

f. 218r

HlJ 0.3: Joseph Hall, Antheme III (‘Leave O my soul this baser World below’)

Copy.

First published in The Shaking of the Olive-Tree (London, 1660). Wynter, IX, 699-700. Davenport, p. 155.

f. 221v

RaW 938: Sir Walter Ralegh, Letter(s)

Copy of part of a letter by Ralegh to James I, headed ‘The Remaindr of Sr Walter Ralies ler begunn 5 leaues before’, the earler part now lacking.

ff. 229v-30r

GrJ 55.5: John Grange, ‘Not that I wish my Mistris’

Copy, headed ‘Choyce of a Mistresse’.

This MS recorded in Krueger.

First published in Wits Recreations Augmented (London, 1641), sig. V7v. John Playford, Select Ayres and Dialogues (1652), Part II, p. 28. Poems (1660), pp. 79-81, unattributed. Prince d'Amour (1660), p. 123, ascribed to ‘J.G.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as by John Grange.

ff. 230v-1r

RaW 431: Sir Walter Ralegh, ‘Like to a Ring without a finger’

Copy of lines 1-64, headed ‘Canto’.

This MS recorded in Latham, pp. 167-9.

First published in Latham (1951), pp. 165-7, as ‘A poem doubtfully ascribed to Ralegh’. Since, in fact, it is a parody of a poem by Francis Quarles printed in 1629 it cannot be by Ralegh.

f. 231v

CoR 746.8: Richard Corbett, Nonsence (‘Like to the thund'ring tone of unspoke speeches’)

Copy, headed in the margin ‘a messe of nonsense’ and here beginning ‘Like to the tone of unspoke speeches’.

First published in Witts' Recreations Augmented (London, 1641). Bennett & Trevor-Roper, pp. 95-6.

f. 233r

StW 1031: William Strode, A Sonnet (‘My Love and I for kisses played’)

Copy, untitled.

First published in A Banquet of Jests (London, 1633). Dobell, p. 47. Forey, p. 211. The poem also discussed in C.F. Main, ‘Notes on some Poems attributed to William Strode’, PQ, 34 (1955), 444-8 (p. 446-7).

f. 233r

DaJ 122: Sir John Davies, Verses given to the Lord Treasuer upon Newyeares Day upon a Dosen of Trenchers, by Mr. Davis (‘Longe have I servd in Court, yet learned not all this while’)

Copy of lines 1-2 of poem 10.

This MS recorded in Doughtie, p. 597.

First published as ‘Yet other 12. Wonders of the World never yet published’ in Francis Davison, A Poetical Rhapsody (London, 1608). Doughtie, Lyrics from English Airs, pp. 381-4. Krueger, pp. 225-8.

f. 237r

JnB 397: Ben Jonson, On Giles and Ione (‘Who sayes that Giles and Ione at discord be?’)

Copy, untitled.

First published in Epigrammes (xlii) in Workes (London, 1616). Herford & Simpson, VIII, 40.

f. 240v

CwT 212.5: Thomas Carew, An Excuse of absence (‘You'le aske perhaps wherefore I stay’)

Copy, untitled.

First published in Hazlitt (1870), p. 28. Dunlap. p. 131.

ff. 240v-1r

DrM 26: Michael Drayton, The Cryer (‘Good Folke, for Gold or Hyre’)

Copy, headed ‘A heart lost’.

First published, among Odes with Other Lyrick Poesies, in Poems (London, 1619). Hebel, II, 371.

ff. 255v-6r

HoJ 75: John Hoskyns, The Censure of a Parliament Fart (‘Downe came graue auncient Sr John Crooke’)

Copy, headed ‘The ffart’.

Attributed to Hoskyns by John Aubrey. Cited, but unprinted, as No. III of ‘Doubtful Verses’ in Osborn, p. 300. Early Stuart Libels website.

ff. 257r-8v

KiH 236: Henry King, An Elegy Upon the most victorious King of Sweden Gustavus Adolphus (‘Like a cold Fatall Sweat which ushers Death’)

Copy, subscribed in a different hand ‘Hen Kinge’.

First published in The Swedish Intelligencer, Third Part (London, 1633). Poems (1657). Crum, pp. 77-81.

f. 259v

MoG 71: George Morley, On the Nightingale (‘My limbs were weary and my head oppressed’)

Copy.

f. 260r

MoG 98: George Morley, Upon the drinking in a Crown of a Hatt (‘Well fare those three that where there was a dearth’)

Copy, headed ‘Vpon the Crowne of a hatt dranck't in for want of a Cupp’.

ff. 260v-1v

CoR 153: Richard Corbett, An Elegie Upon the death of the Lady Haddington who dyed of the small Pox (‘Deare Losse, to tell the world I greiue were true’)

Copy, as by ‘Dr Corbett’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 59-62. The last 42 lines, beginning ‘O thou deformed unwomanlike disease’, in Parnassus Biceps (London, 1656), p. 48.

f. 261r

RnT 390: Thomas Randolph, Upon the losse of his little finger (‘Arithmetique nine digits, and no more’)

Copy, headed ‘Epigram made by Thomas Randolphe on the losse of his Little ffinger’.

First published in Poems (1638). Thorn-Drury, pp. 56-7.

f. 262r

KiH 75: Henry King, The Boy's answere to the Blackmore (‘Black Mayd, complayne not that I fly’)

Copy, headed ‘His Answer’.

First published in The Academy of Complements (London, 1646). Poems (1657). Crum, p. 151. The text almost invariably preceded, in both printed and MS versions, by (variously headed) ‘A Blackmore Mayd wooing a faire Boy: sent to the Author by Mr. Hen. Rainolds’ (‘Stay, lovely Boy, why fly'st thou mee’). Musical settings by John Wilson in Henry Lawes, Select Ayres and Dialogues (London, 1669).

f. 263r

DrW 117.35: William Drummond of Hawthornden, For the Kinge (‘From such a face quois excellence’)

Copy, untitled.

Often headed in MSS ‘The [Five] Senses’, a parody of Patrico's blessing of the King's senses in Jonson's Gypsies Metamorphosed (JnB 654-70). A MS copy owned by Drummond: see The Library of Drummond of Hawthornden, ed. Robert H. Macdonald (Edinburgh, 1971), No. 1357. Kastner printed the poem among his ‘Poems of Doubtful Authenticity’ (II, 296-9), but its sentiments are alien to those of Drummond: see C.F. Main, ‘Ben Jonson and an Unknown Poet on the King's Senses’, MLN, 74 (1959), 389-93, and MacDonald, SSL, 7 (1969), 118. Discussed also in Allan H. Gilbert, ‘Jonson and Drummond or Gil on the King's Senses’, MLN, 62 (January 1947), 35-7. Sometimes also ascribed to James Johnson.

ff. 263v-4r

RnT 266: Thomas Randolph, A parley with his empty Purse (‘Purse, who'l not know you have a Poets been’)

Copy, headed ‘Mr Randolphs vses vpon his empty purse’.

First published in Poems (1638). Thorn-Drury, pp. 127-8.

f. 264v

SuJ 30: John Suckling, The constant Lover (‘Out upon it, I have lov'd’)

Copy, untitled.

This MS collated in Clayton.

First published, untitled, in Wit and Drollery (London, 1656). Last Remains (London, 1659). Clayton, pp. 55-6.

f. 264v

SuJ 12: John Suckling, The Answer (‘Say, but did you love so long?’)

Copy, headed ‘responsus’.

This MS collated in Clayton.

See SuJ 11-15.

f. 265r

RaW 370: Sir Walter Ralegh, Epitaph on the Earl of Salisbury (‘Here lies Hobinall, our Pastor while ere’)

Copy, headed ‘Upon Cicells Death’ and here beginning ‘Here lies Hobbinall or Shepherd whileare’.

This MS recorded in Latham, pp. 146.

First published in Francis Osborne, Traditionall Memoyres on the raigne of King Iames (London, 1658). Works (1829), VIII, 735-6. Latham, p. 53.

Of doubtful authorship according to Latham, p. 146, and Lefranc (1968), p. 84.

f. 265v

SuJ 118: John Suckling, Inconstancie in Woman (‘I am confirm'd a woman can’)

Copy, untitled.

This MS collated in Clayton.

First published in The Academy of Complements (London, 1646). Clayton, pp. 96-7.

Henry Lawes's musical setting published in Select Musicall Ayres and Dialogues (London, 1652).

f. 266r-v

DeJ 104: Sir John Denham, To the Five Members of the Honourable House of Commons. The Humble Petition of the Poets (‘After so many Concurring Petitions’)

Copy.

First published in Rump: or an Exact Collection of the Choycest Poems and Songs (London, 1662). Poems and Translations (London, 1668). Banks, pp. 128-9.

ff. 269v-70v

CaW 59: William Cartwright, Vpon the death of the Right valiant Sir Bevill Grenvill Knight (‘Not to be wrought by Malice, Gaine, or Pride’)

Copy, untitled.

This MS collated in Evans.

First published as Verses on the death of the Right Valiant Sr Bevill Grenvill, Knight (1643). Works (1651), pp. 303-6. Evans, pp. 555-8.

f. 281r

HrJ 244: Sir John Harington, Of Garlick to my Lady Rogers (‘If Leekes you like, and doe the smell disleeke’)

Copy, untitled.

First published in The Metamorphosis of Ajax (London, 1596): see HrJ 317-24. 1618, Book I, No. 47. McClure No. 48, p. 166. Kilroy, Book I, No. 89, p. 125.

f. 281v

RaW 218: Sir Walter Ralegh, On the Cardes, and Dice (‘Beefore the sixt day of the next new year’)

Copy, headed in the margin ‘A prooesie’ and here beginning ‘The first day of the nex new yere’.

This MS recorded in Latham, p. 139.

First published as ‘A Prognostication upon Cards and Dice’ in Poems of Lord Pembroke and Sir Benjamin Ruddier (London, 1660). Latham, p. 48. Rudick, Nos 50A and 50B, pp. 123-4 (two versions, as ‘Sir Walter Rawleighs prophecy of cards, and Dice at Christmas’ and ‘On the Cardes and dice’ respectively).

f. 282r

HrJ 149: Sir John Harington, Of a Lady that left open her Cabbinett (‘A vertuose Lady sitting in a muse’)

Copy, untitled, with four additional lines and the marginal note ‘A couplet or two fastned to Sr Io: Harrington his Epigra, to doe his Townes knight yeomans seruice?’.

First published in ‘Epigrammes’ appended to J[ohn] C[lapham], Alcilia, Philoparthens Louing Folly (London, 1613). McClure No. 404, p. 312. Kilroy, Book IV, No. 57, p. 231.

ff. 286v-7r

EaJ 54: John Earle, Bishop of Worcester and Salisbury, On the Earle of Pembroke's Death (‘Did not my sorrows sighd into a verse’)

Copy, headed ‘Vpon the Hearse of Wlm Ea: of Pembrooke’.

First published in Parnassus Biceps (London, 1656), pp. 40-2. Extract in Bliss, pp. 227-8. Possibly written by Jasper Mayne (1604-72).

MS V.a.341

An octavo printed volume, formerly bound with an exemplum of Poëmata Petri Lotichii II (see SpE 65 and SpE 64.5) in 18th-century sheepskin, now in modern quarter red morocco on marbled boards. This volume bears on the title-page Spenser's motto ‘Immerito’ and the last blank leaf (now separated as Folger, MS X.d.520) bears Spenser's autograph copies of a letter and two Latin poems.

SpE 64.8: Edmund Spenser, Sabinus, Georgius. Poemata (Leipzig, [1563?])

The title-page inscribed ‘Donu amiciss. viri Johannis Capelli’. Label of J. Fazakerley of Eton, 1773. Also label of Coxe (sale by King, July 1816). Formerly Folger MS 1752.1.

Discussed in Lee Piepho, ‘Spenser's Books’, TLS, 5 January 2001, p. 15.

MS V.a.342

Copy, 77 quarto pages, in two professional secretary hands, one on pp. 3-63, 68-72 (with some deterioration of script on p. 55), the other on pp. 63-7, with a title-page in Middleton's hand ‘A Game at Chesse As it was Acted Nine Dayes together Compos'de by Tho: Middleton’, including the Induction and an Epilogue, in contemporary vellum gilt. [1624].

*MiT 17: Thomas Middleton, A Game at Chess

This MS discussed in R.C. Bald, ‘A New Manuscript of Middleton's “Game at Chesse”’, MLR, 25 (1930), 474-8, and in Susan Zimmerman, ‘The Folger Manuscripts of Thomas Middleton's A Game at Chesse: A Study in the Genealogy of Texts’, PBSA, 76 (1982), 159-95. Recorded in Harper.

Facsimiles of the title-page in Greg, English Literary Autographs, plate XCIV(d-e); Heather Wolfe, The Pen's Excellencie: Treasures from the Manuscript Collection of the Folger Shakespeare Library (Washington, DC, 2002), p. 90.

First published in London, [1625]. Bullen, VII, 1-136. Edited by R.C. Bald (Cambridge, 1929) and by J.W. Harper (London, 1966). An ‘early form’ in Oxford Middleton, pp. 1779-1824, with a ‘later form’ on pp. 1830-85.

MS V.a.344

A quarto miscellany of extracts in verse and prose, in a single largely italic hand, 142 pages, in contemporary mottled calf gilt. Compiled by Sir John Cotton, Bt (1621-1702). Mid-17th century.

pp. 58-9

RnT 61.5: Thomas Randolph, De Sene Veronensi. Ex Claudiano (‘Happy the man that all his dayes hath spent’)

Copy, untitled, inscribed ‘Mr Thomas Randulph’.

First published in Poems (1638). Thorn-Drury, pp. 48-9.

p. 88

BrT 66: Sir Thomas Browne, Extracts

An extract from ‘Dr Thomas Browne’.

passim

JnB 769: Ben Jonson, Extracts

Extracts from Jonson's works, including an example on p. 69.

passim

ChG 34: George Chapman, Extracts

Extracts from Chapman's works, including examples on pp. 31-2, 66, 74, 76, and 84.

passim

SaG 19.5: George Sandys, A Paraphrase upon the Psalms of David (‘That man is truly bless'd who never strays’)

Extracts, including examples on pp. 49-50, 55-6, 64, and 79.

First published in London, 1636. Hooper, I, 91-195; II, 195-310.

Some of Henry Lawes's musical settings published in A Paraphrase upon the Divine Poems (London, 1638). Musical settings by Henry and William Lawes also published in Choice Psalmes Put into Musick for Three Voices (London, 1648).

MS V.a.345

A quarto verse miscellany, largely in a single mixed hand, with additions in other hands, associated with Oxford University, possibly Christ Church, 315 pages (plus blanks), in modern black morocco gilt. Including 11 poems by Donne, and 15 poems (plus one of uncertain authorship) by Corbett. c.1630s.

Later owned by Edward Jeremiah Curteis, M.P., of Windmill Hill, Sussex. Puttick & Simpson's, 30 June 1884 (Curteis sale), lot 175, to Pearson of Pall Mall for James Orchard Halliwell-Phillipps (1820-89). Formerly Folger MS 452.5.

Cited in IELM, I.i (1980), and II.i (1987), as the ‘Curteis MS’: DnJ Δ 50 and CoR Δ 9. Discussed, with a facsimile example, in Arthur F. Marotti, ‘Folger MSS V.a.89 and V.a.345: Reading Lyric Poetry in Manuscript’, in The Reader Revealed, ed. Sabrina Alcorn Baron, et al. (Washington, DC, 2001), pp. 44-57. A facsimile of p. 36 is in Chris R. Kyle and Jason Peacey, Breaking News: Renaissance Journalism and the Birth of the Newspaper (Washington, DC, 2008), p. 32.

p. 4

DaJ 201: Sir John Davies, On the Deputy of Ireland his child (‘As carefull mothers doe to sleeping lay’)

Copy, headed ‘In iuuenem morte pemptu’ and here beginning ‘As careful nurses in their beds do lay’.

First published in William Camden, Remaines (London, 1637), p. 411. Krueger, p. 303.

p. 6

DnJ 1743: John Donne, A lame begger (‘I am unable, yonder begger cries’)

Copy, headed ‘Vppon a criple’ and here beginning ‘I can neither go nor stand ye criple cryes’.

First published in Thomas Deloney, Strange Histories (London, 1607), sig. E6. Poems (1633). Grierson, I, 76. Milgate, Satires, p. 51. Shawcross, No. 88. Variorum, 8 (1995), pp. 7 (as ‘Zoppo’) and 10.

p. 6

CoR 131.5: Richard Corbett, An Elegie Upon the death of the Lady Haddington who dyed of the small Pox (‘Deare Losse, to tell the world I greiue were true’)

Copy of lines 59-82, headed ‘On a woman deformed wth ye Pocks’, here beginning ‘O thou deformd unwoman like disease’, docketed in the top margin ‘see more of these verses page 88’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 59-62. The last 42 lines, beginning ‘O thou deformed unwomanlike disease’, in Parnassus Biceps (London, 1656), p. 48.

pp. 7-8

PeW 248: William Herbert, third Earl of Pembroke, A Paradox in praise of a painted Woman (‘Not kiss? by Love I must, and make impression’)

Copy of the short version, headed ‘A Coy mistress’ and here beginning ‘Nay pish, nay pu, In fayth but will you? fie’.

Poems (1660), pp. 93-5, superscribed ‘P.’. First published in Parnassus Biceps (London, 1656), p. 97. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by William Baker. The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 456-9, as ‘A Paradox of a Painted Face’, among ‘Poems attributed to Donne in MSS’. Also ascribed to James Shirley.

A shorter version, beginning ‘Nay pish, nay pew, nay faith, and will you, fie’, was first published, as ‘A Maids Denyall’, in Richard Chamberlain, The Harmony of the Muses (London, 1654) [apparently unique exemplum in the Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990), pp. 49-50].

p. 8

CoR 375: Richard Corbett, Little Lute (‘Little lute, when I am gone’)

Copy, headed ‘Verses written on a lute she yt. owed it being absent’ and here beginning ‘Pretty lute when I am gon’.

First published in Bennett & Trevor-Roper (1955), p. 8.

Some texts followed by an answer beginning ‘Little booke, when I am gone’.

p. 10

CwT 582: Thomas Carew, A prayer to the Wind (‘Goe thou gentle whispering wind’)

Copy, headed ‘A sighe’.

First published in Poems (1640) and in Poems: written by Wil. Shake-speare, Gent. (London, 1640). Dunlap, pp. 11-12.

pp. 13-14

HrJ 292: Sir John Harington, Of writing with double pointing (‘Dames are indude with vertues excellent?’)

Copy, headed ‘Another’ [i.e. verse employing a double sense], with a prose preamble concerning King Edward at Berkeley Castle, inscribed in the margin ‘Harrington’.

First published in 1618, Book I, Nos. 33 and 35. McClure Nos. 34 and 36, pp. 161-2. Kilroy, Book I, No. 65, pp. 116-17.

p. 14

RaW 267: Sir Walter Ralegh, On the Life of Man (‘What is our life? a play of passion’)

Copy, headed ‘Of man’.

This MS recorded in Latham, p. 144.

First published, in a musical setting, in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Latham, pp. 51-2. Rudick, Nos 29A, 29B and 29C (three versions, pp. 69-70). MS texts also discussed in Michael Rudick, ‘The Text of Ralegh's Lyric “What is our life?”’, SP, 83 (1986), 76-87.

pp. 16-17

MoG 28: George Morley, An Epitaph upon King James (‘All that have eyes now wake and weep’)

Copy, headed ‘On King James’, incomplete, subscribed ‘See the rest of these verses pag 80’.

A version of lines 1-22, headed ‘Epitaph on King James’ and beginning ‘He that hath eyes now wake and weep’, published in William Camden's Remaines (London, 1637), p. 398.

Attributed to Edward Fairfax in The Fairfax Correspondence, ed. George Johnson (1848), I, 2-3 (see MoG 54). Edited from that publication in Godfrey of Bulloigne: A critical edition of Edward Fairfax's translation of Tasso's Gerusalemme Liberata, together with Fairfax's Original Poems, ed. Kathleen M. Lea and T.M. Gang (Oxford, 1981), pp. 690-1. The poem is generally ascribed to George Morley.

p. 19

PeW 151: William Herbert, third Earl of Pembroke, Apollo's Oath (‘When Phebus first did Daphne love’)

Copy.

This MS recorded in Krueger.

First published, in a two-stanza version in a musical setting, in John Dowland, Third Booke of Aires (London, 1603), No. vi. A three-stanza version in John Philips, Sportive Wit (London, 1656), p. 31. A four-stanza version in Poems (1660), p. 115, unattributed. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as probably by Charles Rives (of New College, Oxford). It is possible, however, that the poem grew by accretions in different hands, Rives perhaps being responsible for the fourth stanza.

pp. 20-2

CoR 428: Richard Corbett, On Great Tom of Christ-Church (‘Bee dum, you infant chimes. thump not the mettle’)

Copy, headed ‘Do: Corbet on Tom ye great bell of C:C:’.

First published (omitting lines 25-48) in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 79-82. Ithuriel, ‘Great Tom of Oxford’, N&Q, 2nd Ser. 10 (15 December 1860), 465-6 (printing ‘(from a MS collection) which bears the signature of Jerom Terrent’).

p. 23

CoR 754: Richard Corbett, On the Proctors Plotts (‘When plotts are Proctors vertues, and the gift’)

Copy, headed ‘To the intricate example of policy, euen in this vniversity. ye plot of vnion, ye delighte & defenders of factions, ye freind of ppetual Rage, The reuiuers of Mallavil & macro, The subtil & sublimed corporacon of plot... [etc.]’.

This MS recorded in Bennett & Trevor-Roper, p. 166.

First published in Bennett & Trevor-Roper (1955), p. 100.

p. 25

DnJ 1744: John Donne, A lame begger (‘I am unable, yonder begger cries’)

Second copy, headed ‘A Criple’ and here beginning ‘I can neither goe nor stand ye criple cryes’.

First published in Thomas Deloney, Strange Histories (London, 1607), sig. E6. Poems (1633). Grierson, I, 76. Milgate, Satires, p. 51. Shawcross, No. 88. Variorum, 8 (1995), pp. 7 (as ‘Zoppo’) and 10.

p. 27

RaW 471: Sir Walter Ralegh, ‘Say not you love, unless you do’

Copy, headed ‘A conference betwixt 2 louers’, deleted.

First published in Inedited Poetical Miscellanies, 1584-1700, ed. W.C. Hazlitt ([London], 1870), p. [179]. Listed but not printed in Latham, p. 174. Rudick, No. 38, p. 106.

p. 28

CwT 228: Thomas Carew, An Excuse of absence (‘You'le aske perhaps wherefore I stay’)

First published in Hazlitt (1870), p. 28. Dunlap. p. 131.

pp. 29-30

HrJ 150: Sir John Harington, Of a Lady that left open her Cabbinett (‘A vertuose Lady sitting in a muse’)

Copy, headed ‘Of a Lady musing’, with four additional lines.

First published in ‘Epigrammes’ appended to J[ohn] C[lapham], Alcilia, Philoparthens Louing Folly (London, 1613). McClure No. 404, p. 312. Kilroy, Book IV, No. 57, p. 231.

p. 31

RaW 63: Sir Walter Ralegh, ‘Euen such is tyme which takes in trust’

Copy, headed ‘Sr Walter Rawlighes verses the nighte before he was beheaded in London 1619’.

This MS recorded in Latham, p. 154.

First published in Richard Brathwayte, Remains after Death (London, 1618). Latham, p. 72 (as ‘These verses following were made by Sir Walter Rauleigh the night before he dyed and left att the Gate howse’). Rudick, Nos 35A, 35B, and part of 55 (three versions, pp. 80, 133).

This poem is ascribed to Ralegh in most MS copies and is often appended to copies of his speech on the scaffold (see RaW 739-822).

See also RaW 302 and RaW 304.

p. 33

DrW 176.95: William Drummond of Hawthornden, On a noble man who died at a counsel table (‘Vntymlie Death that neither wouldst conferre’)

Copy of a version headed ‘In Docett. Comitem Thesaur:’ and beginning ‘Immodest death, that wouldst not once conferre’.

First published in Kastner (1931), II, 285. Often found in a version beginning ‘Immodest death, that wouldst not once conferre’. Of doubtful authorship: see MacDonald, SSL, 7 (1969), 116.

p. 34

DaJ 52: Sir John Davies, A Lover out of Fashion (‘Faith (wench) I cannot court thy sprightly eyes’)

Copy, headed ‘A Country suter to his loue’ and here beginning ‘fayre wench I can not court thye sprightly eyes’.

First published in Epigrammes and Elegies (‘Middleborugh’ [i.e. London?] [1595-6?]). Krueger, p. 180.

p. 43

HrJ 234: Sir John Harington, Of certain puritan wenches (‘Six of the weakest sex and purest sect’)

Copy, headed ‘The conference of 6 puritanicall wenches’, partly deleted.

First published (anonymously) in Rump: or An Exact Collection of the Choycest Poems and Songs (London, 1662), II, 158-9. McClure No. 356, p. 292. Kilroy, Book II, No. 94, p. 164.

pp. 44-5

DnJ 3760.5: John Donne, A Valediction: forbidding mourning (‘As virtuous men passe mildly away’)

Copy of an imitation, untitled, beginning ‘The man and wife that kinde and louing are’.

Recorded in Deborah Aldrich Larson, ‘John Donne and the Astons’, HLQ, 55 (1992), 635-41 (p. 640). Complete facsimile in Arthur F. Marotti, Manuscript, Print, and the English Renaissance Lyric (Ithaca and London, 1995), pp. 156-7.

First published in Poems (1633). Grierson, I, 49-51. Gardner, Elegies, pp. 62-4. Shawcross, No. 31.

p. 47

HrJ 199: Sir John Harington, Of a pregnant pure sister (‘I learned a tale more fitt to be forgotten’)

Copy of a ten-line version, untitled and here beginning ‘A [ ] sister wth one of her society’, partly deleted.

First published (13-line version) in The Epigrams of Sir John Harington, ed. N.E. McClure (Philadelphia, 1926), but see HrJ 197. McClure (1930), No. 413, p. 315. Kilroy, Book IV, No. 80, p. 239.

p. 51

HrJ 161: Sir John Harington, Of a Lady that sought remedy at the Bathe (‘A Lady that none name, nor blame none hath’)

Copy, inscribed in the margin ‘Harrington’.

First published in 1618, Book III, No. 8. McClure No. 206, pp. 232-3. Kilroy, Book I, II No. 99ter, pp. 207-8.

p. 59

CwT 1265.8: Thomas Carew, A Louers passion (‘Is shee not wondrous fayre? but oh I see’)

Copy, headed ‘Mr Lewis of Oriel vppon his loue who dyed before she was married’.

First published, as ‘The Rapture, by J.D.’, in Robert Chamberlain, The Harmony of the Muses (London, 1654), pp. 3-4 [unique exemplum in the Huntington edited in facsimile by Ernest W. Sullivan (Aldershot, 1990)]. Cupids Master-Piece (London, [?1656]). Dunlap, p. 192.

pp. 59-61

DrW 117.36: William Drummond of Hawthornden, For the Kinge (‘From such a face quois excellence’)

Copy, headed ‘of ye fiue senses by James Johnson 1623’.

Often headed in MSS ‘The [Five] Senses’, a parody of Patrico's blessing of the King's senses in Jonson's Gypsies Metamorphosed (JnB 654-70). A MS copy owned by Drummond: see The Library of Drummond of Hawthornden, ed. Robert H. Macdonald (Edinburgh, 1971), No. 1357. Kastner printed the poem among his ‘Poems of Doubtful Authenticity’ (II, 296-9), but its sentiments are alien to those of Drummond: see C.F. Main, ‘Ben Jonson and an Unknown Poet on the King's Senses’, MLN, 74 (1959), 389-93, and MacDonald, SSL, 7 (1969), 118. Discussed also in Allan H. Gilbert, ‘Jonson and Drummond or Gil on the King's Senses’, MLN, 62 (January 1947), 35-7. Sometimes also ascribed to James Johnson.

p. 62

PoW 46: Walton Poole, ‘If shadows be a picture's excellence’

Copy, headed ‘Dr Co. vppon his love: Mrs Poole ye Ld Shandoys sister’.

This MS collated in Wolf (as MS X).

First published, as ‘In praise of black Women; by T.R.’, in Robert Chamberlain, The Harmony of the Muses (London, 1654), p. 15 [unique exemplum in Huntington, edited in facsimile by Ernest W. Sullivan, II (Aldershot, 1990)]; in Abraham Wright, Parnassus Biceps (London, 1656), pp. 75-7, as ‘On a black Gentlewoman’. Poems (1660), pp. 61-2, as ‘On black Hair and Eyes’ and superscribed ‘R’; in The Poems of John Donne, ed Herbert J.C. Grierson, 2 vols (Oxford, 1912), I, 460-1, as ‘on Black Hayre and Eyes’, among ‘Poems attributed to Donne in MSS’; and in The Poems of William Herbert, Third Earl of Pembroke, ed. Robert Krueger (B.Litt. thesis, Oxford, 1961: Bodleian, MS B. Litt. d. 871), p. 61.

p. 63

WoH 34: Sir Henry Wotton, The Character of a Happy Life (‘How happy is he born and taught’)

Copy, headed ‘Sr Hen: wootton on a pvate life’.

First published in Sir Thomas Overbury, A Wife, 5th impression (London, 1614). Reliquiae Wottonianae (London, 1651), pp. 522-3. Hannah (1845), pp. 28-31. Some texts of this poem discussed in C.F. Main, ‘Wotton's “The Character of a Happy Life”’, The Library, 5th Ser. 10 (1955), 270-4, and in Ted-Larry Pebworth, ‘New Light on Sir Henry Wotton's “The Character of a Happy Life”’, The Library, 5th Ser. 33 (1978), 223-6 (plus plates).

p. 70

PeW 270: William Herbert, third Earl of Pembroke, Song (‘Come saddest thoughts possess my heart’)

Copy, headed ‘A louers ditty in Despaire’.

This MS recorded in Krueger.

Poems (1660), pp. 102-3, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’.

p. 74

DnJ 1846: John Donne, The Legacie (‘When I dyed last, and, Deare, I dye’)

Copy, headed ‘A Louer on his supposed death’.

This MS recorded in Gardner and in Shawcross.

First published in Poems (1633). Grierson, I, 20. Gardner, Elegies, p. 50. Shawcross, No. 43.

p. 75

DnJ 509: John Donne, The broken heart (‘He is starke mad, who ever sayes’)

Copy of lines 9-32, headed ‘A Description of ye hart, or rather loue in it’ and here beginning ‘Ah what a trifle is a hart’.

This MS recorded in Shawcross.

Lines 1-16 first published in A Helpe to Memory and Discourse (London, 1630), pp. 45-6. Poems (1633). Grierson, I, 48-9. Gardner, Elegies, pp. 51-2. Shawcross, No. 29.

p. 80

MoG 29: George Morley, An Epitaph upon King James (‘All that have eyes now wake and weep’)

Copy of the last ten lines, headed ‘Epitaph on King James’ and here beginning ‘ffor two and twenty yeares long care’, inscribed in the margin ‘See more of this pa: 16’.

A version of lines 1-22, headed ‘Epitaph on King James’ and beginning ‘He that hath eyes now wake and weep’, published in William Camden's Remaines (London, 1637), p. 398.

Attributed to Edward Fairfax in The Fairfax Correspondence, ed. George Johnson (1848), I, 2-3 (see MoG 54). Edited from that publication in Godfrey of Bulloigne: A critical edition of Edward Fairfax's translation of Tasso's Gerusalemme Liberata, together with Fairfax's Original Poems, ed. Kathleen M. Lea and T.M. Gang (Oxford, 1981), pp. 690-1. The poem is generally ascribed to George Morley.

pp. 80-1

DnJ 3187: John Donne, To his Mistris Going to Bed (‘Come, Madam, come, all rest my powers defie’)

Copy, ‘Dr Dunne to his mrs going to bed’.

This MS recorded in Gardner and in Shawcross.

First published in Poems (London, 1669). Grierson, I, 119-21 (as ‘Elegie XIX. Going to Bed’). Gardner, Elegies, pp. 14-16. Shawcross, No. 15. Variorum, 2 (2000), pp. 163-4.

The various texts of this poem discussed in Randall McLeod, ‘Obliterature: Reading a Censored Text of Donne's “To his mistress going to bed”’, EMS, 12: Scribes and Transmission in English Manuscripts 1400-1700 (2005), 83-138.

pp. 81-2

DnJ 2220: John Donne, Loves Warre (‘Till I have peace with thee, warr other men’)

Copy, headed ‘Idem to his mrs’.

This MS recorded in Gardner and in Shawcross.

First published in F. G. Waldron, A Collection of Miscellaneous Poetry (London, 1802), pp. 1-2. Grierson, I, 122-3 (as ‘Elegie XX’). Gardner, Elegies, pp. 13-14. Shawcross, No. 14. Variorum, 2 (2000), pp. 142-3.

pp. 82-4

BrW 32: William Browne of Tavistock, An Elegy (‘Is Death so great a gamester, that he throws’)

Copy, headed ‘Dr Dunne, on ye death of his mrs’.

First published in Le Prince d'Amour (London, 1660).

pp. 84-5

CoR 132: Richard Corbett, An Elegie Upon the death of the Lady Haddington who dyed of the small Pox (‘Deare Losse, to tell the world I greiue were true’)

Copy, headed ‘Dr Corbet on the death of ye Lady Hay’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 59-62. The last 42 lines, beginning ‘O thou deformed unwomanlike disease’, in Parnassus Biceps (London, 1656), p. 48.

p. 88

CoR 132.5: Richard Corbett, An Elegie Upon the death of the Lady Haddington who dyed of the small Pox (‘Deare Losse, to tell the world I greiue were true’)

Copy of lines 83-100, headed ‘On a woman disfigured wth ye smal pocks’, here beginning ‘Thou shouldst haue wrought on som such Lady mould’, superscribed ‘Part of ye former verses sup pag 6’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 59-62. The last 42 lines, beginning ‘O thou deformed unwomanlike disease’, in Parnassus Biceps (London, 1656), p. 48.

pp. 88-9

DnJ 1502: John Donne, His parting from her (‘Since she must go, and I must mourn, come Night’)

Copy of a 42-line version, headed ‘At the Departure of his mistres’.

This MS recorded in Gardner and in Shawcross.

First published, in a 42-line version as ‘Elegie XIIII’, in Poems (London, 1635). Published complete (104 lines) in Poems (London, 1669). Grierson, I, 100-4 (as ‘Elegie XII’). Gardner, Elegies, pp. 96-100 (among her ‘Dubia’). Shawcross, No. 21. Variorum, 2 (2000), pp. 332-4 (with versions printed in 1635 and 1669 on pp. 335-6 and 336-8 respectively).

pp. 90-1

RaW 526: Sir Walter Ralegh, ‘Wrong not, deare Empresse of my Heart’

Copy, headed ‘A silent wooer’.

This MS collated in Gullans; recorded in Latham, p. 116.

First published in Wits Interpreter (London, 1655), printed twice, the first version prefixed by ‘Our Passions are most like to Floods and streames’ (see RaW 320-38) and headed ‘To his Mistresse by Sir Walter Raleigh’. Edited with the prefixed stanza in Latham, pp. 18-19. Edited in The English and Latin Poems of Sir Robert Ayton, ed. Charles B. Gullans, STS, 4th Ser. 1 (Edinburgh & London, 1963), pp. 197-8. Rudick, Nos 39A and 39B (two versions, pp. 106-9).

This poem was probably written by Sir Robert Ayton. For a discussion of the authorship and the different texts see Gullans, pp. 318-26 (also printed in SB, 13 (1960), 191-8).

p. 92

CwT 88: Thomas Carew, The Comparison (‘Dearest thy tresses are not threads of gold’)

Copy, headed ‘To his mistres’.

First published in Poems (1640), and lines 1-10 also in Wits Recreations (London, 1640). Dunlap, pp. 98-9.

p. 93

CoR 170: Richard Corbett, An Elegie written upon the death of Dr. Ravis Bishop of London (‘When I past Paules, and travell'd in that walke’)

Copy, headed ‘Dr Corbet on Bp Ravis’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 3-4.

p. 95

CoR 586: Richard Corbett, To the Ghost of Robert Wisdome (‘Thou, once a Body, now, but Aire’)

Copy, headed ‘An Invocation of ye Ghost of Robert wisdom’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, p. 75.

p. 103

HrG 290.8: George Herbert, On the death of Mr. Barker of Hammon, and his wife who dyed both together (‘Here lye two Bodyes happy in their kinds’)

Copy, headed ‘On the death of Mr. Barker of Hammon, and his wife who dyed both together’, unascribed.

This MS recorded in Doelman.

A twelve-line epitaph. First published in Baird W. Whitlock, ‘The Authorship of the Couplet on Sir Albertus Morton and His Wife’, N&Q, 226 (December 1981), 523-4, where (through a misreading of ‘G. H.’ in HrG 290.6 as ‘J. H.’) it is attributed to John Hoskins. Edited and attributed to George Herbert in James Doelman, ‘Herbert's couplet?’, TLS, 19 February 2010, p. 15.

For lines 5-6, beginning ‘The first deceased. He for a little try'd’, a couplet which in various forms circulated independently for many years and has traditionally, though uncertainly, been associated with Sir Henry Wotton, see WoH 175-198.

p. 103

HrJ 312: Sir John Harington, A Tragicall Epigram (‘When doome of Peeres & Iudges fore-appointed’)

Copy, headed ‘On ye Q. of Scots Execution’ and here beginning ‘When doom of death by iudgment soe appointed’, inscribed in the margin ‘Harrington’.

First published in 1615. 1618, Book IV, No. 82. McClure No. 336, pp. 280-1. Kilroy, Book III, No. 44, p. 185. This epigram is also quoted in the Tract on the Succession to the Crown (see HrJ 333-5).

pp. 104-6

KiH 343: Henry King, An Exequy To his Matchlesse never to be forgotten Freind (‘Accept, thou Shrine of my Dead Saint!’)

Copy, subscribed in monogram form ‘HK’.

First published in Poems (1657). Crum, pp. 68-72.

p. 106

CoR 113: Richard Corbett, An Elegie vpon the Death of Sir Thomas Ouerbury Knight poysoned in the Tower (‘Hadst thou, like other Sirs and Knights of worth’)

Copy, headed ‘In obitum Domi Thomae Ouerbury. Dr Corbet’.

First published in Sir Thomas Overbury, A Wife, 9th impression (London, 1616). Bennett & Trevor-Roper, pp. 18-19.

p. 107

CoR 764.2: Richard Corbett, ‘When that rich soil of thine (now Sainted) kept’

Copy, headed ‘Antidotum Cæcilianam. Dr Corbet’.

Edited from this MS in online Early Stuart Libels.

Edited in online Early Stuart Libels.

p. 110

RaW 371: Sir Walter Ralegh, Epitaph on the Earl of Salisbury (‘Here lies Hobinall, our Pastor while ere’)

Copy, headed ‘In obitum Ro: Ceciliij.’, here beginning ‘Here lyes old Hobinol our shephard while heere’, and ascribed to ‘Sr wall. Rawleigh’.

Edited from this MS in Rudick, No. 47, pp. 120-1. Recorded in Latham, p. 146.

First published in Francis Osborne, Traditionall Memoyres on the raigne of King Iames (London, 1658). Works (1829), VIII, 735-6. Latham, p. 53.

Of doubtful authorship according to Latham, p. 146, and Lefranc (1968), p. 84.

p. 111

DkT 25: Thomas Dekker, Vpon her bringing by water to White Hall (‘The Queene was brought by water to White Hall’)

Copy, headed ‘The remoual of her body from Richmond to white hal by water’.

First published in The Wonderfull yeare (London, 1603). Reprinted in William Camden, Remaines (London, 1614), and in Thomas Heywood, The Life and Death of Queene Elizabeth (London, 1639). Grosart, I, 93-4. Tentatively (but probably wrongly) attributed to Camden in George Burke Johnston, ‘Poems by William Camden’, SP, 72 (December 1975), 112.

p. 111

CoR 253: Richard Corbett, In Quendam Anniversariorum Scriptorem (‘Even soe dead Hector thrice was triumph'd on’)

Copy, headed ‘Dr Corbet agt Dr Price Aniversaryes on Prince Henry’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 8-9.

The poem is usually followed in MSS by Dr Daniel Price's ‘Answer’ (‘So to dead Hector boyes may doe disgrace’), and see also CoR 227-46.

p. 112

CoR 232: Richard Corbett, In Poetam Exauctoratum et Emeritum (‘Nor is it griev'd (graue youth) the memory’)

Copy, headed ‘A Reply to ye Defence’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 10-11.

For related poems see CoR 247-78.

pp. 113-15

CoR 320: Richard Corbett, A letter sent from Doctor Corbet to Master Ailesbury, Decem. 9. 1618 (‘My Brother and much more had'st thou bin mine’)

Copy, headed ‘Dr Corbet to Mr Alesbury on ye Comet ibid’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 63-5.

pp. 123-4

CoR 659: Richard Corbett, Upon An Unhandsome Gentlewoman, who made Love unto him (‘Have I renounc't my faith, or basely sold’)

Copy, headed ‘In Eandem [i.e. on Mrs Mallet] Dr. Corbet’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 6-7.

p. 124

CoR 395: Richard Corbett, A New-Yeares Gift To my Lorde Duke of Buckingham (‘When I can pay my Parents, or my King’)

Copy, headed ‘Dr Corbet. A Newyeares gift to ye Duke of Buckingham 1621’.

First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 71-2.

p. 127

HoJ 225: John Hoskyns, Sr Fra: Bacon. L: Verulam. Vicount St Albons (‘Lord Verulam is very lame, the gout of go-out feeling’)

Copy, headed ‘On ye Lord Chancelour’ and here beginning ‘Great Verulam is very lame ye gout of goout feeling’.

Osborn, No. XXXIX (p. 210). Whitlock, pp. 558-9.

p. 131

StW 1327: William Strode, A Lover to his Mistress (‘Ile tell you how the Rose did first grow redde’)

Copy, headed ‘To his mistresse’.

First published, in Wits Recreations (London, 1640). Dobell, p. 48. Listed, without text, in Forey, p. 339.

pp. 131-2

DnJ 3015: John Donne, Song (‘Sweetest love, I do not goe’)

Copy of a version, headed ‘Dr Dunne on his Departure from his Loue’ and here beginning ‘Dearest Loue, I doe not goe’.

This MS recorded in Shawcross.

First published in Poems (1633). Grierson, I, 18-19. Gardner, Elegies, pp. 31-2. Shawcross, No. 42.

pp. 135-6

CoR 345: Richard Corbett, A letter To the Duke of Buckingham, being with the Prince of Spaine (‘I've read of Ilands floating, and remov'd’)

Copy, headed ‘Dr Corbet of ye Princes iorney into Spaine’.

First published in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 76-9.

p. 137

CmT 226: Thomas Campion, ‘What if a day, or a month, or a yeare’

Copy, untitled.

This MS collated in Curt F. Bühler, ‘Four Elizabethan Poems’, Joseph Quincy Adams Memorial Studies, ed. James G. McManaway, Giles E. Dawson, and Edwin E. Willoughby (Washington, DC, 1948), 695-706 (p. 705).

Possibly first published as a late 16th-century broadside. Philotus (Edinburgh, 1603). Richard Alison, An Howres Recreation in Musicke (London, 1606). Davis, p. 473. The different versions and attributions discussed in A.E.H. Swaen, ‘The Authorship of “What if a Day”, and its Various Versions’, MP, 4 (1906-7), 397-422, and in David Greer, ‘“What if a Day” — An Examination of the Words and Music’, M&L, 43 (1962), 304-19.

See also CmT 239-41.

pp. 137-8

LoT 6: Thomas Lodge, An Ode (‘Now I find thy lookes were fained’)

Copy, headed ‘A Song’ and here beginning ‘Now I see thy lookes are fained’.

First published in The Phoenix Nest (London, 1593). Phillis: Honoured with Pastorall Sonnets, Elegies, and amorous delights (London, 1593). Gosse, II, (p. 58). The song-version beginning ‘Now I see thy looks were feigned’ first published in Thomas Ford, Musicke of Sundrie Kindes (London, 1607).

p. 139

CoR 718: Richard Corbett, Upon the Same Starre (‘A Starre did late appeare in Virgo's trayne’)

Copy, headed ‘Dr Corbet, on Com:’.

First published in Bennett & Trevor-Roper (1955), p. 65.

pp. 143-4

BcF 33: Francis Bacon, ‘The world's a bubble, and the life of man’

Copy, headed ‘Of mans misery Sr fr: Bacon:’.

First published in Thomas Farnaby, Florilegium epigrammatum Graecorum (London, 1629). Poems by Sir Henry Wotton, Sir Walter Raleigh and others, ed. John Hannah (London, 1845), pp. 76-80. Spedding, VII, 271-2. H.J.C. Grierson, ‘Bacon's Poem, “The World”: Its Date and Relation to certain other Poems’, Modern Language Review, 6 (1911), 145-56.

p. 144

BmF 150.2: Francis Beaumont, A Charm (‘Sleep, old man, let silence charm thee’)

Copy, headed ‘A charme ffran: Beaumont’.

Rejected from the canon in Dyce, XI, 442, and attributed to Henry Harrington.

p. 145

StW 812: William Strode, Song (‘I saw faire Cloris walke alone’)

Copy, headed ‘On Dr Hut: daughter of C.C.’.

First published in Walter Porter, Madrigales and Ayres (London, 1632). Dobell, p. 41. Forey, pp. 76-7. The poem also discussed in C.F. Main, ‘Notes on some Poems attributed to William Strode’, PQ, 34 (1955), 444-8 (pp. 445-6), and see Mary Hobbs, ‘Early Seventeenth-Century Verse Miscellanies and Their Value for Textual Editors’, EMS, 1 (1989), 182-210 (pp. 199, 209).

p. 145

ShW 14: William Shakespeare, Sonnet 2 (‘When forty winters shall besiege thy brow’)

Copy, headed ‘Spes Altera A song’.

This MS recorded in Tucker Brooke, p. 67. Edited and discussed in Mary Hobbs, ‘Shakespeare's Sonnet II: A Sugred Sonnet?’, N&Q, 224 (1979), 112-13.

Edited and most manuscript copies collated in Gary Taylor, ‘Some Manuscripts of Shakespeare's Sonnets’, Bulletin of the John Rylands University Library of Manchester, 68/1 (Autumn 1985), 210-46.

p. 146

DnJ 2017: John Donne, Loves Deitie (‘I long to talke with some old lovers ghost’)

Copy.

This MS recorded in Gardner and in Shawcross.

First published in Poems (1633). Grierson, I, 54. Gardner, Elegies, pp. 47-8. Shawcross, No. 64.

pp. 146-7

DnJ 2056: John Donne, Loves diet (‘To what a combersome unwieldinesse’)

Copy.

This MS recorded in Gardner and in Shawcross.

First published in Poems (1633). Grierson, I, 55-6. Gardner, Elegies, pp. 45-6. Shawcross, No. 65.

p. 147

CoR 478: Richard Corbett, On John Dawson, Butler at Christ-Church. 1622 (‘Dawson the Butler's dead. although I thinke’)

Copy.

First published (omitting lines 7-10) in Certain Elegant Poems (London, 1647). Bennett & Trevor-Roper, pp. 72-3.

p. 147

PeW 137: William Herbert, third Earl of Pembroke, Amintas (‘Cloris sate, and sitting slept’)

Copy, headed ‘Amintas & Alexis’.

This MS recorded in Krueger.

First published in [John Gough], Academy of Complements (London, 1646), p. 170. Poems (1660), p. 104, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’.

pp. 147-8

CoR 97: Richard Corbett, An Elegy Upon the death of Queene Anne (‘Noe. not a quatch, sad Poets. doubt you’)

Copy, headed ‘An Elegy on Q: Anns Death’.

First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 65-7.

pp. 148-9

WoH 108: Sir Henry Wotton, On his Mistress, the Queen of Bohemia (‘You meaner beauties of the night’)

Copy, headed ‘On ye Queen of Bohemia Sr Hen: Wootton’.

First published (in a musical setting) in Michael East, Sixt Set of Bookes (London, 1624). Reliquiae Wottonianae (London, 1651), p. 518. Hannah (1845), pp. 12-15. Some texts of this poem discussed in J.B. Leishman, ‘“You Meaner Beauties of the Night” A Study in Transmission and Transmogrification’, The Library, 4th Ser. 26 (1945-6), 99-121. Some musical versions edited in English Songs 1625-1660, ed. Ian Spink, Musica Britannica XXXIII (London, 1971), Nos. 66, 122.

pp. 152-3

CwT 112: Thomas Carew, The Complement (‘O my deerest I shall grieve thee’)

Copy, headed ‘Palinodia Loues folly’.

First published in Poems (1640). Dunlap, pp. 99-101.

p. 155

PoW 93: Walton Poole, On the death of King James (‘Can Christendoms great champion sink away’)

Copy, headed ‘An elegy on the death of King James’.

First published in Oxford Drollery (1671), p. 170. A version of lines 1-18, on the death of Gustavus Adolphus, was published in The Swedish Intelligencer, 3rd Part (1633). Also ascribed to William Strode.

p. 156

HrG 320: George Herbert, Lucus, XXV. Roma. Anagr. (‘Roma, tuum nomen quam non pertransijt Oram’)

Copy, headed ‘Anagramma Romæ. p G Herbert’.

An untitled eight-line poem on the visit of Frederick, the Elector Palatine, to the University of Cambridge. First published in James Duport, Ecclesiastes Solomonis (Cambridge, 1662). Hutchinson, p. 416. McCloskey & Murphy, with a translation, pp. 102-3.

pp. 159, 167, 169

BrW 6: William Browne of Tavistock, Britannia's Pastorals, Books I and II

Extracts, comprising (p. 159) versions of Book I, Song 3, lines 477-8, headed ‘On a Ring’ and here beginning ‘Nature hath fram'd a Jem beyond compare’; lines 479-80, headed ‘On a Nose gay with a netle in it’ and here beginning ‘Such is ye posy loue composes’; (p. 167) Book I, Song 1, lines 241-2, headed ‘of a fayr woman’, here beginning ‘The powers aboue deny’, and followed by four other lines not found in the printed text; and (p. 169) the same six lines followed by a further six lines, headed ‘Vppon a fayre woman’ and inscribed in the margin ‘al this is taken out of brittanis pastorals’; c.1630.

Book I first published London, 1613. Book II first published London, 1616. Goodwin, Vol. I.

p. 160

B&F 29: Francis Beaumont and John Fletcher, The Captain, II, ii, 160-80. Song (‘Tell me dearest what is Love?’)

Copy of the first stanza, here beginning ‘Dearest tel me what is loue’, together with the second stanza of the version which appears in The Knight of the Burning Pestle (III, 29-42).

This MS collated in Beaurline and in Cyrus Hoy's edition of The Knight of the Burning Pestle, Bowers, I, 93.

First published in Comedies and Tragedies (London, 1647). Dyce, III, 217-328 (pp. 258-9). Bowers, I, 550-650, ed. L. A. Beaurline (pp. 583-4). A version of this song appears in The Knight of the Burning Pestle, III, 29-42 (London, 1613).

p. 171

HrJ 211: Sir John Harington, Of a sawcy Cator (‘A Cator had of late some wild-fowle bought’)

Copy.

First published in 1615. 1618, Book IV, No. 22. McClure No. 276, p. 261. Kilroy, Book IV, No. 82, p. 239.

p. 171

HrJ 93: Sir John Harington, Of a certaine Man (‘There was (not certain when) a certaine preacher’)

Copy.

First published in 1615. 1618, Book IV, No. 23. McClure No. 277, p. 262. Kilroy, Book IV, No. 105, p. 250.

pp. 176-7

RaW 164: Sir Walter Ralegh, The Lie (‘Goe soule the bodies guest’)

Copy, untitled, inscribed as a heading ‘Sir Walter Rawley’, subscribed ‘See ye rest immediately before’.

This MS recorded in Latham, p. 129.

First published in Francis Davison, A Poetical Rapsodie (London 1611). Latham, pp. 45-7. Rudick, Nos 20A, 20B and 20C (three versions), with answers, pp. 30-45.

This poem is attributed to Richard Latworth (or Latewar) in Lefranc (1968), pp. 85-94, but see Stephen J. Greenblatt, Sir Walter Ralegh (New Haven & London, 1973), pp. 171-6. See also Karl Josef Höltgen, ‘Richard Latewar Elizabethan Poet and Divine’, Anglia, 89 (1971), 417-38 (p. 430). Latewar's ‘answer’ to this poem is printed in Höltgen, pp. 435-8. Some texts are accompanied by other answers.

pp. 178-9

JnB 642: Ben Jonson, The Gypsies Metamorphosed, Song (‘Cock-Lorell would needes haue the Diuell his guest’)

Copy, headed ‘Ben John: The Divells feast’.

Herford & Simpson, lines 1061-1125. Greg, Burley version, lines 821-84. Windsor version, lines 876-939.

pp. 181-218

EaJ 78: John Earle, Bishop of Worcester and Salisbury, Microcosmography

Copy of 45 characters, with a title-page and list of charactes.

First published (anonymously), comprising 54 characters and with a preface by Edward Blount, London, 1628. 77 characters in the edition of 1629. 78 characters in the edition of 1664. Edited by Philip Bliss (London, 1811).

pp. 228-31

StW 960: William Strode, A Song of Capps (‘The witt hath long beholding bin’)

Copy.

First published in Wits Interpreter (London, 1655). Dobell, pp. 104-7. Forey, pp. 47-51.

p. 237

DnJ 2950: John Donne, Song (‘Stay, O sweet, and do not rise’)

Copy of an 18-line version, headed ‘Dr Dunne of his mrs rising’ and here beginning ‘Ly stil my deare why dost thou rise’.

First published (in a two-stanza version) in John Dowland, A Pilgrim's Solace (London, 1612) and in Orlando Gibbons, The First Set of Madrigals and Mottets (London, 1612). Printed as the first stanza of Breake of day in Poems (London, 1669). Grierson, I, 432 (attributing it to Dowland). Gardner, Elegies, p. 108 (in her ‘Dubia’). Doughtie, Lyrics from English Airs, pp. 402-3. Not in Shawcross.

See also DnJ 428.

p. 271

CoR 418.8: Richard Corbett, On Francis Beaumont's death (‘He that hath Youth, and Friends, and so much Wit’)

Copy, headed ‘On Mr Beaumont’.

First published in Francis Beaumont, Poems (London, 1640). Bennett & Trevor-Roper, p. 23.

p. 273

HoJ 15: John Hoskyns, ‘A zealous Lock-Smith dy'd of late’

Copy, headed ‘Vppon a Locksmith’.

Whitlock, p. 108.

p. 277

RaW 351: Sir Walter Ralegh, ‘The word of deniall, and the letter of fifty’

Copy, headed ‘On the Lord Noel’.

This MS recorded in Latham, pp. 138.

First published, as ‘The Answer’ to ‘A Riddle’ (‘Th'offence of the stomach, with the word of disgrace’), in Works (1829), VIII, 736. Latham, pp. 47-8. Rudick, Nos 19A, 19B and 19C (three versions, pp. 28-9).

p. 278

StW 403: William Strode, On a Gentlewoman that sung, and playd upon a Lute (‘Bee silent, you still Musicke of the sphears’)

Copy, headed ‘On a Gentlewoman that sung very wel’.

First published in Wits Interpreter (London, 1655), Part II, p. 278. Dobell, p. 39. Forey, p. 208.

p. 282

JnB 398: Ben Jonson, On Giles and Ione (‘Who sayes that Giles and Ione at discord be?’)

Copy.

First published in Epigrammes (xlii) in Workes (London, 1616). Herford & Simpson, VIII, 40.

p. 283

BrW 49: William Browne of Tavistock, An Epitaph on Mr. John Smyth, Chaplain to the Right Honourable the Earl of Pembroke. 1624 (‘Know thou, that tread'st on learned Smyth inurn'd’)

Copy, headed ‘On Smith of magdalens’.

First published in Brydges (1815), p. 68.

p. 284

CmT 126: Thomas Campion, ‘Though you are yoong and I am olde’

Copy, headed ‘Old wooing’.

First published in A Booke of Ayres (London, 1601), No. ii. Davis, pp. 20-1.

pp. 284-5

TiC 34: Chidiock Tichborne, Tichborne's Lament (‘My prime of youth is but a frost of cares’)

Copy, headed ‘Mr Tichbornes Elegy in the tower’.

This MS text collated in Hirsch.

First published in the single sheet Verses of Prayse and Joy Written Upon her Maiesties Preseruation Whereunto is annexed Tychbornes lamentation, written in the Towre with his owne hand, and an answer to the same (London, 1586). Hirsch, pp. 309-10. Also ‘The Text of “Tichborne's Lament” Reconsidered’, ELR, 17, No. 3 (Autumn 1987), between pp. 276 and 277. May EV 15464 (recording 37 MS texts). For the ‘answer’ to this poem, see KyT 1-2.

p. 286

JnB 462: Ben Jonson, Song. To Celia (‘Drinke to me, onely, with thine eyes’)

Copy, headed ‘A health to a louer’.

First published in The Forrest (ix) in Workes (London, 1616). Herford & Simpson, VIII, 106.

pp. 286-7

JnB 547: Ben Jonson, To the Same (‘Kisse me, sweet: The warie louer’)

Copy, headed ‘A Louer’.

Lines 19-22 first published in Volpone, III, vii, 236-9 (London, 1607). Published complete in The Forrest (vi) in Workes (London, 1616). Herford & Simpson, VIII, 103.

pp. 293-4

CwT 785: Thomas Carew, A Song (‘In her faire cheekes two pits doe lye’)

Copy, here beginning In yor faire cheekes 2 pits doe ly.

First published in Poems (1640). Dunlap, p. 105.

p. 297

StW 330: William Strode, On a Butcher marrying a Tanners daughter (‘A fitter Match hath never bin’)

Copy.

First published in William Camden, Remaines (London, 1636). Dobell, p. 119. Forey, p. 18.

p. 302

StW 1031.5: William Strode, A Sonnet (‘My Love and I for kisses played’)

Copy, headed ‘Playing for kisses’.

First published in A Banquet of Jests (London, 1633). Dobell, p. 47. Forey, p. 211. The poem also discussed in C.F. Main, ‘Notes on some Poems attributed to William Strode’, PQ, 34 (1955), 444-8 (p. 446-7).

p. 305

DaJ 11: Sir John Davies, Epigrammes, 8. In Katam (‘Kate being pleasde, wisht that her pleasure coulde’)

Copy, headed ‘On Cate’.

Krueger, p. 132.

pp. 307-8

PeW 280: William Herbert, third Earl of Pembroke, A Song (‘Draw not too near’)

Copy.

Poems (1660), pp. 116-17, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as possibly by Strode. Authorship unknown.

p. 313

PeW 309: William Herbert, third Earl of Pembroke, To a Lady residing at the Court (‘Each greedy hand doth catch and pluck the flowr’)

Copy, headed ‘Good Aduice to a Gentlewoman being at Court’.

Poems (1660), pp. 114-15, superscribed ‘P.’. Listed in Krueger's Appendix I: ‘Spurious Poems in the 1660 Edition’ as probably by Joshua Sylvester. It appears in Sylvester's Du Bartas his divine Weekes and Workes (1641), p. 651. The commonest version in MSS begins ‘Beware fair maids of musky courtiers' oaths’. There are numerous MS texts of this poem, not listed here, some of them recorded in Krueger.

MS V.a.348

An octavo volume of state tracts, papers speeches, relating particularly to Spain, closely written in possibly a single cursive mixed hand, v + 175 leaves, in modern half calf on marbled boards. c.1630.

Inscribed (f. iv) ‘Ex Dono Egid: Clotterbooke’ [i.e. Giles Clutterbuck] and ‘Robt: Hyde 1678’. Phillipps MS 6902. Inscription on f. ir: ‘This MS. was given by the Rev Mr Chapman (son to Dr Chapman of Holy=well) to J Price Sept. 7th., 1790. late of Trinity College State Keeper of the Bodleian Library at Oxford lately deceased’.

ff. 68v-9r

BcF 375: Francis Bacon, Speech(es)

Copy of Bacon's speech in the Lords, 19 March ‘1620’.

MS V.a.355

Copy, in a secretary hand, with a title-page, The progresse to Parnassus as it was acted in St John's Colledge in Cambridge Ano 160i, 26 quarto leaves, in late 18th-century half calf. c.1606.

HlJ 64: Joseph Hall, The Returne from Parnassus

Inscribed ‘J. Symones Grays Inn 1795’. Bookplate of John Towneley of Towneley, Lancashire. Sotheby's, 28 June 1883 (Towneley sale), lot 122, to James Orchard Halliwell-Phillipps (1820-89), literary scholar and book collector.

The third part of a trilogy, possibly partly written by Hall. This play was twice printed in Cambridge in 1606. For the first two parts see ShW 118. The whole trilogy is edited from the MS and printed sources by J.B. Leishman in The Three Parnassus Plays (1598-1601) (London, 1949).

MS V.a.361

A quarto volume of chemical receipts, in several largely italic hands, 187 leaves (including a seven-page index and numerous blanks), in contemporary calf gilt, silver clasps. Mid-17th century.

Bookplate of ‘Sr Edw: Littleton Bart’, of Pileton Hall, Staffordshire. Probably the MS sold at Sotheby's, 9 May 1961, lot 282, to Dawson.

f. 38r

RaW 722: Sir Walter Ralegh, Chemical and Medical Receipts

Copy of a receipt for ‘A Excellent Cordiall ielly a Comforter of the harte and helpe to digesture > of Sr water raleigh’.

MS V.a.399

A quarto miscellany of both bawdy and religious verse and some prose, in several hands, 94 leaves (including a number of blanks), in modern quarter-calf marbled boards. Mid-late 17th century.

Inscribed ‘Charles Shuttleworth His Booke Anno 1691’. Peter Murray Hill, London, sale catalogue No. 82 (1962), item 33.

f. 9v-10r

RaW 423.5: Sir Walter Ralegh, ‘I cannot bend the bow’

Copy of three poems elaborating at greater length on the original version attributed to Ralegh, the first beginning ‘Faine woulde I shoote in a bowe yt I knowe’.

First published in Rudick (1999), No. 37, p. 105. Listed but not printed, in Latham, pp. 173-4 (as an ‘indecorous trifle’).

f. 10r-v

RaW 436: Sir Walter Ralegh, ‘Now what is Loue, I praie thee tell’

Copy, headed ‘Tam arte quam Marte:’.

This MS collated in Doughtie, pp. 503-10.

First published in The Phoenix Nest (London, 1593). The first and last stanzas were a song in Thomas Heywood, The Rape of Lucrece (London, 1608). Listed but not printed in Latham, p. 171. Edited in Doughtie, Lyrics from English Airs, pp. 156-7. Ralegh's possible authorship also discussed and largely supported in Walter Oakeshott, The Queen and the Poet (London, 1960), p. 161; in Lefranc (1968), pp. 78-9, 83; and in Michael West, ‘Raleigh's disputed Authorship of “A Description of Loue”’, ELN, 10 (1972-3), 92-9.

f. 11v

CmT 227: Thomas Campion, ‘What if a day, or a month, or a yeare’

Copy, untitled, here beginning ‘What if a day or a weeke or a year’.

Possibly first published as a late 16th-century broadside. Philotus (Edinburgh, 1603). Richard Alison, An Howres Recreation in Musicke (London, 1606). Davis, p. 473. The different versions and attributions discussed in A.E.H. Swaen, ‘The Authorship of “What if a Day”, and its Various Versions’, MP, 4 (1906-7), 397-422, and in David Greer, ‘“What if a Day” — An Examination of the Words and Music’, M&L, 43 (1962), 304-19.

See also CmT 239-41.

f. 12r

DyE 54: Sir Edward Dyer, ‘My mynde to me a kyngdome is’

Copy, untitled.

First published, as two poems (one comprising stanzas 1-4, 6 and 8. the other stanzas 9-12) in a musical setting, in William Byrd, Psalmes, Sonets & Songs (London, 1588). Sargent, No. XIV, pp. 200-1. The uncertain authorship of this poem and its textual history are discussed in Steven W. May, ‘The Authorship of “My mind to me a kingdom is”’, RES, NS 26 (1975), 385-94. EV 15376.

f. 16v

RaW 5.5: Sir Walter Ralegh, ‘As you came from the holy land’

Copy of a version beginning ‘As you come fro Walsingham’.

First published in Thomas Deloney, The Garland of Good-Will (London, 1596? first extant edition 1628). Latham, pp. 22-3. Rudick, No. 13, pp. 16-17.

f. 51r

CmT 126.5: Thomas Campion, ‘Though you are yoong and I am olde’

Copy, headed ‘An oulde man to a yonge woman’.

First published in A Booke of Ayres (London, 1601), No. ii. Davis, pp. 20-1.

ff. 53r-7r

NaT 4: Thomas Nashe, The choise of valentines (‘It was the merie moneth of Februarie’)

Copy, headed ‘The matter beginnes heare: Nashes Dilldo’, with the dedicatory ‘To ye right Hobl. ye Lorde Strainge’ (‘Pardon sweete flowre of matchlesse poetrie’).

This MS discussed and collated in Robert C. Evans and Kurt R. Niland, ‘The Folger Text of Thomas Nashe's Choise of Valentines’, PBSA, 87 (1993), 363-74.

Lines 1-17 first published in The Complete Works of Thomas Nashe, ed. A.B. Grosart (London, 1883-4), I, lx-lxi. The complete text published in London, 1899, ed. John S. Farmer (privately printed), and in McKerrow, III, 397-416.

ff. 59v-62v

DaJ 8: Sir John Davies, Epigrammes

Copy of 26 epigrams (Nos. 1-4, 6, 8, 10, 12-14, 16, 18, 21, 23, 26-8, 31, 35-7, 39, 41-2, 61-2), here beginning ‘Flee merrie Muse vnto yt merrie towne’.

This MS collated in Krueger and described, pp. 378, 439.

58 Epigrammes first published in ‘Middleborugh’ [i.e. London?], [1595-6?]. Krueger, pp. 127-51. Fourteen additional Epigrammes printed from MSS in Krueger, pp. 153-9.

ff. 64v-5r

CoR 68: Richard Corbett, The Distracted Puritane (‘Am I madd, o noble Festus’)

Copy.

First published in Poëtica Stromata ([no place], 1648). Bennett & Trevor-Roper, pp. 56-9.

f. 91r-v

EsR 77: Robert Devereux, second Earl of Essex, A Poem made on the Earle of Essex (being in disgrace with Queene Eliz): by mr henry Cuffe his Secretary (‘It was a time when sillie Bees could speake’)

Copy of an adapted thirteen-stanza version, untitled, here beginning ‘There was a time when sylly Bees coulde speake’.

This MS text recorded (as very corrupt) in May, p. 111.

First published, in a musical setting by John Dowland, in his The Third and Last Booke of Songs or Aires (London, 1603). May, Poems, No. IV, pp. 62-4. May, Courtier Poets, pp. 266-9. EV 12846.

MS V.a.402

A quarto volume of state letters and speeches, in a single professional italic hand, 69 leaves, in old half calf on marbled boards. c.1626.

Inscribed on a flyleaf ‘1626: scriptu est Bri: Caue: forke’, references to Brian Cave elsewhere also suggesting he was the compiler.

f. 31r-v

BcF 376: Francis Bacon, Speech(es)

Copy of Bacon's speech in Parliament, 16 January 1620/1.

MS V.a.409

An oblong quarto songbook, 38 leaves (including some blanks), in contemporary vellum. Mid-late 17th century.

f. 3r-v

SuJ 168: John Suckling, The Goblins, Act III, scene ii, lines 53-7. Song (‘A Round, A Round, A Round’)

Copy, in a musical setting, untitled.

This MS collated in Beaurline.

Beaurline, Plays, p. 143. The song published in John Playford, Catch that Catch Can (London, 1667).

f. 5r

SuJ 172: John Suckling, The Sad One, Act V, scene v, lines 31-4. Song (‘Come, come away, to the Tavern I say’)

Copy of the song, untitled, here beginning ‘Come let's away, to the Tavern I say’, with two additional lines.

This MS collated in Beaurline.

First published, with a separate title-page, in Last Remains (London, 1659). Beaurline, Plays, pp. 1-32 (p. 27). The song published in A Musicall Banquet (London, 1651).

MS V.a.411

An oblong octavo music part book, in a single hand, five leaves foliated 9-12 (plus blanks), in half morocco. Compiled by John Playford (1623-86?), being leaves detached from four of his MS autograph music part books, which are now at the University of Glasgow (MS Euing R.d.58-61) and (nine leaves) at the Shakespeare Birthplace Trust (Halliwell-Phillipps, Shakespearean scrapbooks). c.1660.

Bookplate of William Harrison, F.S.H. Booklabel of William Hayman Cummings, FSA (1831-1915), singer and musical antiquary. Owned (and detached) by James Orchard Halliwell-Phillipps (1820-89), literary scholar and book collector. Formerly Folger MS 747.

This MS recorded in Cutts, Musique de la troupe de Shakespeare, pp. 129, 131.

ff. 9v, 10r, 11r, 12v

ShW 93: William Shakespeare, The Tempest, I, ii, 400-9. Song (‘Full fathom five thy father lies’)

Copies in a musical setting by Robert Johnson (as edited by John Wilson).

Halliwell-Phillipps, ‘Notes upon the Works of Shakespeare, Henry V and Twelfth Night’.

ff. 9v, 10v, 11v, 13v

ShW 103: William Shakespeare, The Tempest, V, i, 88-94. Song (‘Where the bee sucks, there suck I’)

Copies in a musical setting by Robert Johnson (as edited by John Wilson).

MS V.a.412

An oblong duodecimo musical part book (tenor), in a neat italic hand, 76 pages (including blanks). c.1600.

p. 53

SoR 267.5: Robert Southwell, S.J., Catholic Saint, A Foure-fold Meditation: of the foure last things (‘O wretched man, which louest earthlie thinges’)

Copy of the opening lines only, untitled and here beginning ‘O wretched man (why loust ye earthly life’, in a musical setting by ‘Jo: Wilby’.

First published, as ‘By R: S. The author of S. Peters complaint’, in London, 1606. The poem is more commonly ascribed to Philip Howard (1557-95), first Earl of Arundel, Catholic Saint, with whom Southwell was acquainted (see McDonald, pp. 6-7, 121-2). EV17760.

MS V.a.418

A quarto volume of documents by or relating to Ralegh, 81 pages in all, in contemporary limp vellum. Comprising printed exempla of A Declaration of the Demeanor and Cariage of Sir Walter Raleigh, Knight, aswell in his Voyage, as in, and sithence his Returne (London, 1618) and The humble petition...of Sir Lewis Stucley (London, 1618), with ten MS leaves at the beginning and two at the end, in at least two secretary and italic hands. c.1620.

Formerly Folger MS Add. 402.

ff. [1r-4v]

RaW 781: Sir Walter Ralegh, Speech on the Scaffold (29 October 1618)

Copy, in a small secretary hand.

Transcripts of Ralegh's speech have been printed in his Remains (London, 1657). Works (1829), I, 558-64, 691-6. VIII, 775-80, and elsewhere. Copies range from verbatim transcripts to summaries of the speech, they usually form part of an account of Ralegh's execution, they have various headings, and the texts differ considerably. For a relevant discussion, see Anna Beer, ‘Textual Politics: The Execution of Sir Walter Ralegh’, MP, 94/1 (August 1996), 19-38.

f. [4v]

RaW 64: Sir Walter Ralegh, ‘Euen such is tyme which takes in trust’

Copy, in an italic hand, headed ‘Verses made by himselfe’.

First published in Richard Brathwayte, Remains after Death (London, 1618). Latham, p. 72 (as ‘These verses following were made by Sir Walter Rauleigh the night before he dyed and left att the Gate howse’). Rudick, Nos 35A, 35B, and part of 55 (three versions, pp. 80, 133).

This poem is ascribed to Ralegh in most MS copies and is often appended to copies of his speech on the scaffold (see RaW 739-822).

See also RaW 302 and RaW 304.

f. [6r-v]

RaW 939: Sir Walter Ralegh, Letter(s)

Copy of a letter by Ralegh to James I, in a cursive secretary hand.

ff. [8r-10r]

RaW 710.238: Sir Walter Ralegh, Short Apology for his last Actions at Guiana

Copy, in a cursive secretary hand, headed ‘The Apologie of Sr Walter Raleigh’.

Ralegh's letter of 1618 to his cousin George, Lord Carew of Clopton (beginning ‘Because I know not whether I shall live...’). First published in Judicious and Select Essays (London, 1650). Edwards, II, 375 et seq. Youings, No. 222, pp. 364-8.

ff. [11r-12r]

RaW 940: Sir Walter Ralegh, Letter(s)

Copy of a letter by Ralegh to his wife, 1603, in a cursive secretary hand, on three pages of two leaves after the printed Declaration.

MS V.a.421

A quarto volume of prose writings by Robert Southwell, in a single small predominantly italic hand, 62 pages, in old vellum. c.1608-12.

Microfilm in the British Library (M/714).

ff. 1r-14r

SoR 303: Robert Southwell, S.J., Catholic Saint, An Epistle unto his Father (22 October 1589)

Copy, transcribed from the first edition of A Short Rule of Good Life, subscribed ‘Robarte Southewell’.

Edited from this MS in Brown, Two Letters. Microfilm in the British Library (M/714).

Epistle, beginning ‘In children of former ages it hath been thought so behooveful a point of duty...’. First published as ‘An Epistle of a Religious Priest unto his Father’ in A Short Rule of Good Life ([London?, 1596-7?]). Trotman, pp. 36-64. Brown, Two Letters, pp. 1-20.

ff. 15r-53r

SoR 316: Robert Southwell, S.J., Catholic Saint, A Short Rule of Good Life

Copy of a version, as ‘written by Robarte Southewell’, transcribed from the first edition, with changes made by an Anglican editor.

Edited from this MS in Brown, Two Letters. Microfilm in the British Library (M/714).

First published [in London? 1596-7?]. Brown, Two Letters, pp. 21-73.

ff. 54r-61v

SoR 312: Robert Southwell, S.J., Catholic Saint, Letter to Sir Robert Cecil

Copy, subscribed ‘Robarte Southewell’.

Edited from this MS in Brown (1973), with a facsimile of f. 54r as the frontispiece.

Southwell's letter to Cecil from the Tower, 6 April 1593, beginning ‘Honorable Good Sir: The usual effect of a languishing and afflicted life is an unwillingness to live...’. First published in Brown, Two Letters (1973), p. 75-85.

MS V.a.437

Leaves extracted from three oblong quarto music part books, now interleaved, in modern half red crushed morocco on marbled boards. c.1675.

Owned (and extracted) by James Orchard Halliwell-Phillipps (1820-89), literary scholar and book collector. Bookplate of Warwick Castle Library.

ff. 1r-6r (rectos only)

ShW 110: William Shakespeare, The Winter's Tale, IV, iv, 218-30. Song (‘Lawn as white as driven snow’)

Copy in a musical setting (? by John Wilson), untitled.

MS V.a.479

Copy, in a probably professional secretary hand, on 41 quarto leaves, subscribed ‘Mensis Decembris, et Anni Domini 1591 Die vltimo’, in half-calf marbled boards. c.1591-1600.

SoR 307.8: Robert Southwell, S.J., Catholic Saint, An Humble Supplication to Her Majesty

Sotheby's, 16 September 1983, lot 00, to H. D. Lyons. Formerly Folger MS Add. 832.

First published (by a secret English press) ‘1595’ [for 1600?]. Edited by R .C. Bald (Cambridge, 1953).

MS V.a.505

A quarto-size guardbook of miscellaneous printed and MS leaves, 65 pages, in 19th-century half crushed morocco on marbled boards.

Owned by James Orchard Halliwell-Phillipps (1820-89), literary scholar and book collector. Bookplate of Warwick Castle Library.

p. 27

RnT 351.5: Thomas Randolph, Upon a very deformed Gentlewoman, but of a voice incomparably sweet (‘I chanc'd sweet Lesbia's voice to heare’)

Copy, on a leaf (f. 9r-v) extracted from an octavo verse miscellany which is now Folger MS V.a.96.

First published in Poems (1638). Thorn-Drury, pp. 115-17. Davis, pp. 92-105.

MS V.a.511

A quarto volume of Elizabeth Richardson's instructions for her children, 86 leaves (including numerous blanks), in contemporary limp vellum gilt with initials ‘E A’.

Acquired in 1969 from Hammond, bookseller.

The MS as a whole

*RiE 2: Elizabeth Richardson (Ashburnham), Instructions for my children, or any other Christian

A quarto volume, entitled (f. 1v) ‘Instructions for my children, or any other Christian, Directing to the performance of our duties, towardes God and Man drawne out of ye holy Scripture...’, in two neat italic hands, predominantly Elizabeth Ashburnham's and with her copious autograph revisions throughout, inscribed by her (f. 2r) ‘written at Ashbornham in Sussex anno. domin 1606. p. Elizabeth Ashbornham’ and the volume subscribed (f. 86v) ‘Finis. Elizabeth Ashbornham’, two other hands adding (f. 6r) a list of plate dated ‘The 6th of Feby. 1699’ and some even later scribbling (ff. 54r-57v passim) including a list of books. c.1606.

This MS discussed, with a facsimile of f. 2r, in Victoria E. Burke, ‘Elizabeth Ashburnham Richardson's “motherlie endeauors” in Manuscript’, EMS, 9 (2000), 98-113. A facsimile of f. 2r in Women's Writing in Stuart England, ed. Sylvia Brown (Stroud, 1999), p. 253. Also described in the online Perdita Project.

Unpublished.

ff. 64v-85v

RiE 1: Elizabeth Richardson (Ashburnham), A discourse of ye teadiousnes of life and profitt of death

Elizabeth Richardson's précis of, and meditation on, the Countess of Pembroke's translation, in an unidentified hand, with her autograph corrections, headed ‘A discourse of ye teadiousnes of life and profitt of death’ and listed in her table of contents at the end (f. 86v) as ‘a Treatise declaring the troble of life, and profit of death. Finis. Elizabeth: Ashborn ham’.

Edited from this MS, with a facsimile of f. 84r, in Margaret P. Hannay, ‘Elizabeth Ashburnham Richardson's Meditation on the Countess of Pembroke's Discourse’, EMS, 9 (2000), 114-28.

MS V.a.525

A quarto commonplace book of extracts, proverbs and aphorisms, in a single secretary hand, 70 leaves, in vellum boards. c.1625.

Inscribed (f. 69v) ‘this was one of mr edmond day booke and Mrs day gaue it me when he die’. Bookplates of John Leevsay and of F.W. Cosens, FSA (1819-89), of Clapham Park, book collector.

passim

HlJ 76: Joseph Hall, Extracts

Extracts from Joseph Hall ‘1st Vol’, Books I -III, including examples in the MS ff. 1r-11, 30r-7.

MS V.a.532

Extracts from Sidney, in a predominantly secretary hand, on the verso of the first rear endpaper in a printed exemplum of Bernardo Tasso, Le lettere (Venice, 1585), an octavo in quarter calf on marbled boards. Early 17th century.

Inscribed on the title-page by Rowland Woodward (1573-1637), friend of John Donne, with Woodward's motto ‘De juegos el mejor es con la hoja’. MS label ‘The Earl of Westmorland 1856’. Formerly Folger MS Add. 1216.

Photocopies are in the British Library, RP 8191.

[extract 1]

SiP 5.8: Sir Philip Sidney, Astrophil and Stella, Sonnet 28 (‘You that with allegorie's curious frame’)

Copy of lines 11-14, untitled, in an idiosyncratic type of abbreviated writing, here beginning ‘Look at my h~ f n suc quintce but kno y I in’, derived from an early quarto edition.

Ringler, pp. 178-9.

[extract 2]

SiP 5.5: Sir Philip Sidney, Astrophil and Stella, Sonnet 21 (‘Your words my friend (right healthfull caustiks) blame’)

Copy of parts of lines 3-4, untitled, in an idiosyncratic type of abbreviated writing, here beginning ‘my ow wri lik bad sr shew my b~’, derived from an early quarto edition.

Ringler, p. 175.

[extract 3]

SiP 7.5: Sir Philip Sidney, Astrophil and Stella, Song ii (‘Have I caught my heav'nly jewell’)

Copy of lines 9-12, 21-9, untitled, in an idiosyncratic type of abbreviated writing, here beginning ‘hir tongu wak stil refu. giv frank nig no’, derived from an early quarto edition.

Ringler, pp. 202-3.

[extract 4]

SiP 12.5: Sir Philip Sidney, Astrophil and Stella, Song viii (‘In a grove most rich of shade’)

Copy of lines 45-8, 53-66, untitled, in an idiosyncratic type of abbreviated writing, here beginning ‘grt o grt but spe (al) fail me fear on to pas’, derived from an early quarto edition.

Ringler, pp. 217-21.

[extract 5]

SiP 5.3: Sir Philip Sidney, Astrophil and Stella, Sonnet 17 (‘His mother deare Cupid offended late’)

Copy of lines 13-14, untitled, in an idiosyncratic type of abbreviated writing, here beginning ‘And streight therewt like’, derived from an early quarto edition.

Ringler, p. 173.

MS V.a.537

A quarto volume of state and antiquarian tracts and papers, in various secretary hands, x + 523 pages, in contemporary limp vellum inscribed ‘Liber B’. Some of the items copied from manuscripts of Roger Dodsworth (1585-1654), antiquary, and of the Aske family. A list of books at the end, with dates 1642-54, includes references to Robert Cotton, Sir Hugh Cholmley, and Sir Gervase Clifton (who ‘hath ye booke’). c.1627-52.

Owned by the Fairfax family of Yorkshire. Partly compiled by Charles Fairfax (1597-1673) and with annotations by his brother Ferdinando (1584-1648), second Lord Fairfax. Later in the library of Sir Thomas Phillipps (1792-1872), manuscript and book collector: Phillipps MS 11138. Sotheby's, 8 June 1898 (Phillipps sale), lot 406, sold to Downing. Bonham's, 18 March 2008, lot 250.

pp. 271-82

CtR 180.5: Sir Robert Cotton, The Danger wherein this Kingdome now Standeth, and the Remedy

Copy, in two cursive secretary hands, subscribed with a note about the tract's presentation to the King on 29 January and Council meeting on 17 March, inscribed in the margin ‘By Sr Robt Cotton’ and ‘i Car R 1625’.

Facsimile of p. 282 in Bonham's sale catalogue, p. 102.

Tract beginning ‘As soon as the house of Austria had incorporated it self into the house of Spaine...’. First published London, 1628. Cottoni posthuma (1651), pp. 308-20.

pp. 283-310

CtR 415: Sir Robert Cotton, A Short View of the Long Life and Reign of Henry the Third, King of England

Copy, in a secretary hand, as ‘written by Sr: Robert Cotton knight and Barronnett’.

Facsimile of p. 283 in Bonham's sale catalogue, p. 102.

Treatise, written c.1614 and ‘Presented to King James’, beginning ‘Wearied with the lingering calamities of Civil Arms...’. First published in London, 1627. Cottoni posthuma (1651), at the end (i + pp. 1-27).

pp. 429-52

RaW 602: Sir Walter Ralegh, A Dialogue between a Counsellor of State and a Justice of the Peace

Copy, in a competent secretary hand, with dedicatory epistle to James I, with an affixed slip of replacement text on p. 447, inscribed in the margin ‘Sr Walt Rawley’.

A treatise, with a dedicatory epistle to James I beginning ‘Those that are suppressed and hopeless are commonly silent ...’, the dialogue beginning ‘Now, sir, what think you of Mr. St. John's trial in the Star-chamber?...’. First published as The Prerogative of Parliaments in England (‘Midelburge’ and ‘Hamburg’ [i.e. London], 1628). Works (1829), VIII, 151-221.

MS V.a.545

An octavo commonplace book of extracts under headings, in Latin and English, in a single mixed hand, written from both ends, 92 leaves, paginated 1-89 then foliated 3-49, in modern wrappers. Early 17th century.

Formerly MS Add. 774.

Discussed in Fred Schurink, ‘Manuscript Commonplace Books, Literature, and Reading in Early Modern England’, HLQ, 73/3 (2010), 453-69 (p. 460 et seq.), with a facsimile of f. 6r on p. 464.

passim

SiP 109.5: Sir Philip Sidney, New Arcadia, in Third Eclogues (‘The ladd Philisides’)

A series of references to Arcadia under headings (‘Defensio’, ‘Expurgatio’, ‘Narratoria’, ‘Disputatoria’, ‘Gratulatoria’, etc.), on pages including ff. 5v, 7r, 10r, 11r, 15v, 16r, 18r, 23r, 25r, 26r, and 31r-2r.

Inserted in the 1693 edition of Arcadia, Book III, between OA 65 and OA 66. Ringler, Other Poems No. 5, pp. 256-7.

pp. 58-60

SiP 177.5: Sir Philip Sidney, A Defence of Poetry

Extracts.

First published in London, 1595. Feuillerat, III, 1-46.

See also SiP 226.

MS V.a.605

Copy, in the professional secretary hand of the ‘Feathery Scribe’, 32 folio pages. c.1625-30s.

RaW 639: Sir Walter Ralegh, A Discourse touching a Marriage between Prince Henry and a Daughter of Savoy

Sold by B.A. Seaby Ltd at Sotheby's, 31 July 1962, lot 554, to Blackwell. Subsequently owned by Dr Bent Juel-Jensen (1922-2006), Oxford physician and book collector. Quaritch's sale catalogue ‘English Books and Manuscripts’ (Winter 2008-9), item 61.

This MS recorded in The Book Collector, 15 (Summer 1966), p. 163. Briefly described in Peter Beal, In Praise of Scribes: Manuscripts and their Makers in Seventeenth-Century England (Oxford, 1998), p. 259 (No. 98). A photocopy example is in the British Library, RP 9403 (ii).

A tract beginning ‘There is nobody that persuades our prince to match with Savoy, for any love to the person of the duke...’. First published in The Interest of England with regard to Foreign Alliances, explained in two discourses:...2) Touching a Marriage between Prince Henry of England and a Daughter of Savoy (London, 1750). Works (1829), VIII, 237-52. Ralegh's authorship is not certain.